Errö (1932) - Carscape





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Erró — Carscape, a hand-signed limited edition lithograph (edition 300) dated 1974, 64 × 92 cm, weight 1 kg, lithographed on coated paper in Spain, sold by a gallery, in the Pop Art style from the 1990–2000 period, in fair condition.
Description from the seller
ABOUT THE PRINT
- Lithogrpah on coated paper.
- Hand-signed and numbered by the artist.
- Due to its age, the paper may show some marks and signs of ageing
ABOUT THE ARTIST
Erró (born 1932), whose real name is Guðmundur Guðmundsson, is an Icelandic painter known for his vibrant, collage-like compositions that blend elements of Pop Art, Surrealism, and political satire. Born in Ólafsvík, Iceland, he studied art in Reykjavík and later in Italy and Norway, before settling in Paris, where he became part of the avant-garde scene.
Erró’s work is characterized by the combination of imagery from comics, advertising, art history, and political propaganda, creating dense and dynamic visual narratives. His paintings often critique consumer culture, global politics, and the power of media, using humor and irony.
Among his major achievements is his role in expanding the language of Pop Art through collage aesthetics, as well as exhibiting internationally in major museums and biennials. His work has had a lasting influence on contemporary art, particularly in politically engaged visual culture.
ABOUT THE PRINT
- Lithogrpah on coated paper.
- Hand-signed and numbered by the artist.
- Due to its age, the paper may show some marks and signs of ageing
ABOUT THE ARTIST
Erró (born 1932), whose real name is Guðmundur Guðmundsson, is an Icelandic painter known for his vibrant, collage-like compositions that blend elements of Pop Art, Surrealism, and political satire. Born in Ólafsvík, Iceland, he studied art in Reykjavík and later in Italy and Norway, before settling in Paris, where he became part of the avant-garde scene.
Erró’s work is characterized by the combination of imagery from comics, advertising, art history, and political propaganda, creating dense and dynamic visual narratives. His paintings often critique consumer culture, global politics, and the power of media, using humor and irony.
Among his major achievements is his role in expanding the language of Pop Art through collage aesthetics, as well as exhibiting internationally in major museums and biennials. His work has had a lasting influence on contemporary art, particularly in politically engaged visual culture.

