Luigi Rossanigo (1948) - Presenze






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Luigi Rossanigo (born 1948) presents Presenze, a mixed media work on a metal plate with embossing, edition 1/1, limited edition, dated 2012, measuring 32 x 23 cm and sold with a frame.
Description from the seller
( During this period I ship only within the European Union )
The proposed work is a raised metal plate (embossing done by my own hand), an artist's proof numbered 1/1, 30x21 cm, painted in White + white — signed on the plate — with a frame measuring 32x23x2 cm. A piece that suits any decor. The work will be carefully packaged and shipped within 3 days, accompanied by an authentication on a signed photo by the artist — ready to hang or to rest on a support — traceable and insured shipment (unfortunately photos never capture it well).
For those who love the innovations of the 20th century refined in technique in the 2000s — an intriguing and innovative work not to be missed.
…in the slow, steady unfolding of his research, Luigi Rossanigo has followed a distinctive artistic training, marked by varied experiments across different disciplines. From early painting experiences where the subject was treated with direct reference to reality, the artist gradually moved in the first half of the 1970s toward an abstract conception of form, expressed through quick, blunt gesturality. This informal detour found its natural evolution in a surrealism lived with a highly personal introspective intention, among abnormal mystifications of reality, noted with the precision of an eighteenth‑century traveler. While cultivating a contemporaneous appreciation for precious jewelry and approaching the Carrara sculptural milieu, the versatile artist felt the need to challenge himself with the volumetric definition of the marble block, translating onto it the three‑dimensional interpretation of the work already imagined for the aureate ornament. This path led Rossanigo to modify the painting’s structural layout, moving toward the creation of tension structures and multi-material compounds — a new dialectic in which the harmony between painting and sculpture takes shape.
( During this period I ship only within the European Union )
The proposed work is a raised metal plate (embossing done by my own hand), an artist's proof numbered 1/1, 30x21 cm, painted in White + white — signed on the plate — with a frame measuring 32x23x2 cm. A piece that suits any decor. The work will be carefully packaged and shipped within 3 days, accompanied by an authentication on a signed photo by the artist — ready to hang or to rest on a support — traceable and insured shipment (unfortunately photos never capture it well).
For those who love the innovations of the 20th century refined in technique in the 2000s — an intriguing and innovative work not to be missed.
…in the slow, steady unfolding of his research, Luigi Rossanigo has followed a distinctive artistic training, marked by varied experiments across different disciplines. From early painting experiences where the subject was treated with direct reference to reality, the artist gradually moved in the first half of the 1970s toward an abstract conception of form, expressed through quick, blunt gesturality. This informal detour found its natural evolution in a surrealism lived with a highly personal introspective intention, among abnormal mystifications of reality, noted with the precision of an eighteenth‑century traveler. While cultivating a contemporaneous appreciation for precious jewelry and approaching the Carrara sculptural milieu, the versatile artist felt the need to challenge himself with the volumetric definition of the marble block, translating onto it the three‑dimensional interpretation of the work already imagined for the aureate ornament. This path led Rossanigo to modify the painting’s structural layout, moving toward the creation of tension structures and multi-material compounds — a new dialectic in which the harmony between painting and sculpture takes shape.
