Netsuke woodbox oni and skeleton - Japan - Edo Period (1600-1868)





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Holds a master’s in Japanese art history with over 10 years’ expertise in Asian art.
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Description from the seller
Boxwood Netsuke: Oni Resting on a Mochi-Pounding Mortar (usu and kine)
A boxwood (tsuge) netsuke with toasted grain tones and darkened shading that enhances the volume, depicting an oni (a demon from Japanese folklore) at rest, leaning against a wooden mortar (usu) with its pestle (kine) still planted at the center.
The figure carries the classic attributes of an oni: two short horns on the forehead, a fierce face with heavy brows and a scowling gaze, a half-open mouth with fangs showing, pointed ears, and a shaggy mane framing the face. He wears the traditional tiger-skin loincloth (torafu), here rendered through crosshatched diagonal striping carved across the whole body — torso, arms, and legs — imitating the striped coat of the tiger, a standard iconographic attribute of the oni in Japanese popular imagery (linked to the kimon, the "demon's gate" direction).
The mortar he leans on, with its pestle inserted, is the traditional tool for making mochi (usu and kine), and here it works both as a compositional device — the oni resting his arms on it after the task — and as a humorous touch: the image of a demon performing such a mundane domestic chore was a common device in genre netsuke, used to comically defuse the ferocity of these creatures. The stump/mortar retains a carved bark texture on its outer surface, with a small crescent-shaped mark, and the pestle bears an incised square stamp, possibly a maker's or ownership mark.
4,3 x 2,6 cm
Seller's Story
Boxwood Netsuke: Oni Resting on a Mochi-Pounding Mortar (usu and kine)
A boxwood (tsuge) netsuke with toasted grain tones and darkened shading that enhances the volume, depicting an oni (a demon from Japanese folklore) at rest, leaning against a wooden mortar (usu) with its pestle (kine) still planted at the center.
The figure carries the classic attributes of an oni: two short horns on the forehead, a fierce face with heavy brows and a scowling gaze, a half-open mouth with fangs showing, pointed ears, and a shaggy mane framing the face. He wears the traditional tiger-skin loincloth (torafu), here rendered through crosshatched diagonal striping carved across the whole body — torso, arms, and legs — imitating the striped coat of the tiger, a standard iconographic attribute of the oni in Japanese popular imagery (linked to the kimon, the "demon's gate" direction).
The mortar he leans on, with its pestle inserted, is the traditional tool for making mochi (usu and kine), and here it works both as a compositional device — the oni resting his arms on it after the task — and as a humorous touch: the image of a demon performing such a mundane domestic chore was a common device in genre netsuke, used to comically defuse the ferocity of these creatures. The stump/mortar retains a carved bark texture on its outer surface, with a small crescent-shaped mark, and the pestle bears an incised square stamp, possibly a maker's or ownership mark.
4,3 x 2,6 cm
