Jorge Omeñaca (1981) - Flowerink





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Jorge Omeñaca’s Flowerink (2025) is a signed Giclée print on Hanhemuhle Photo Rag, 40 × 60 cm, weight 1 kg, in excellent condition, limited edition 16 of 20, sold by Gallery with certificate of authenticity, origin Spain, depicting nature.
Description from the seller
ABOUT THE PRINT
- Giclèe printing on Hanhemuhle Photo Rag, a fine art cotton paper with mate effect and smooth velvet texture.
- Creative process: AI Digital creation + postproduction edit
- Delivered with certificate of authenticity
- Limited edition of 20.
ABOUT THE ARTIST
Jorge Omeñaca is a Spanish visual artist with a multidisciplinary practice. His work includes a variety of techniques and methods ranging from photography, digital art, and new generative art through AI. His work has been exhibited in multiple galleries and art fairs of Spain, France, Italy, and Belgium. In addition to his artistic work, Jorge has published the photobook “A Map of Memory” and has exhibited several documentary photography and essay projects: ‘Gamopolis’ (2024) and “De Memoris” (2023). He resides permanently in Madrid but his artwork has been sold to more than 30 countries.
ABOUT THE PRINT
- Giclèe printing on Hanhemuhle Photo Rag, a fine art cotton paper with mate effect and smooth velvet texture.
- Creative process: AI Digital creation + postproduction edit
- Delivered with certificate of authenticity
- Limited edition of 20.
ABOUT THE ARTIST
Jorge Omeñaca is a Spanish visual artist with a multidisciplinary practice. His work includes a variety of techniques and methods ranging from photography, digital art, and new generative art through AI. His work has been exhibited in multiple galleries and art fairs of Spain, France, Italy, and Belgium. In addition to his artistic work, Jorge has published the photobook “A Map of Memory” and has exhibited several documentary photography and essay projects: ‘Gamopolis’ (2024) and “De Memoris” (2023). He resides permanently in Madrid but his artwork has been sold to more than 30 countries.

