Franco Cisternino (1969) - Ninfa






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Franco Cisternino (born 1969) presents Ninfa, a 2019 mixed media giclée on 100% cotton paper, in a limited edition (1/30 to 30/30), signed by hand on front and back with a certificate of authenticity, and measuring 60 by 43 cm.
Description from the seller
COMBINED SHIPPING, if you purchase more works in the same Auction you pay ONLY ONE shipment
Franco Cisternino, born in Foggia (Italy) on July 21, 1969
opera hand-signed on the front and on the back
giclée technique on 100% cotton paper
with Certificate of Authenticity
note: the available work may vary in numbering from no. 1 to 30
VISIT also our online AUCTIONS platform with open bids on “delauretisart”
The works of the painting cycle “Donna” are a scenographic and symbolic representation of the woman, seen both through the eyes of an artist and through the eyes of a man.
With these paintings we aim to represent the woman beyond society’s stereotypes: her essence, her humanity, her fragility and, at the same time, her strength.
The choice of color, in its monochromatic, slightly sepia-toned, is intended to convey a sense of mystery, of lived experience and/or memory.
The veil that envelops the woman has multiple meanings: the part that delicately wraps her body is pink, almost merging with her own skin; while the remaining part of it seeks to represent, through its tension, the influence of the social stereotype of a strong, emancipated, beautiful and slender woman.
The title of the work aims to aid in its understanding by using adjectives or nouns tied to its intent to humanize her and grasp her essence.
The works of the painting cycle “Donna” are a scenographic and symbolic representation of the woman, seen both through the eyes of an artist and through the eyes of a man.
With these paintings we aim to represent the woman beyond society’s stereotypes: her essence, her humanity, her fragility and, at the same time, her strength.
The choice of color, in its monochromatic, slightly sepia-toned, is intended to convey a sense of mystery, of lived experience and/or memory.
The veil that envelops the woman has multiple meanings: the part that delicately wraps her body is pink, almost merging with her own skin; while the remaining part of it seeks to represent, through its tension, the influence of the social stereotype of a strong, emancipated, beautiful and slender woman.
The title of the work aims to aid in understanding it by using adjectives or nouns tied to its intention to humanize her and grasp her essence.
Seller's Story
COMBINED SHIPPING, if you purchase more works in the same Auction you pay ONLY ONE shipment
Franco Cisternino, born in Foggia (Italy) on July 21, 1969
opera hand-signed on the front and on the back
giclée technique on 100% cotton paper
with Certificate of Authenticity
note: the available work may vary in numbering from no. 1 to 30
VISIT also our online AUCTIONS platform with open bids on “delauretisart”
The works of the painting cycle “Donna” are a scenographic and symbolic representation of the woman, seen both through the eyes of an artist and through the eyes of a man.
With these paintings we aim to represent the woman beyond society’s stereotypes: her essence, her humanity, her fragility and, at the same time, her strength.
The choice of color, in its monochromatic, slightly sepia-toned, is intended to convey a sense of mystery, of lived experience and/or memory.
The veil that envelops the woman has multiple meanings: the part that delicately wraps her body is pink, almost merging with her own skin; while the remaining part of it seeks to represent, through its tension, the influence of the social stereotype of a strong, emancipated, beautiful and slender woman.
The title of the work aims to aid in its understanding by using adjectives or nouns tied to its intent to humanize her and grasp her essence.
The works of the painting cycle “Donna” are a scenographic and symbolic representation of the woman, seen both through the eyes of an artist and through the eyes of a man.
With these paintings we aim to represent the woman beyond society’s stereotypes: her essence, her humanity, her fragility and, at the same time, her strength.
The choice of color, in its monochromatic, slightly sepia-toned, is intended to convey a sense of mystery, of lived experience and/or memory.
The veil that envelops the woman has multiple meanings: the part that delicately wraps her body is pink, almost merging with her own skin; while the remaining part of it seeks to represent, through its tension, the influence of the social stereotype of a strong, emancipated, beautiful and slender woman.
The title of the work aims to aid in understanding it by using adjectives or nouns tied to its intention to humanize her and grasp her essence.
