Luigi Michelacci (1879-1959) - Il viandante






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Oil on panel painting 'Il viandante', created in 1943 by Luigi Michelacci (1879–1959) in Italy, an original edition, signed and in good condition, measuring 50 x 39 cm with frame (panel 34 x 25 cm).
Description from the seller
Luigi Michelacci
Meldola, 1879 – Florence, 1959
“The Pedestrian”
Oil on panel – signed bottom left
Dimensions: 50 x 39 cm in a contemporaneous frame
Panel: 34 x 25 cm
Year: 1943
The painting depicts, in half-length and profile, an elderly pedestrian, characterized by a lean and intensely expressive face, covered by a wide dark hat and wrapped in a cloak. The figure stands out against an essential landscape, constructed through earthy tones and a sky of light color with painting matter particularly evident.
The work shows some characteristic elements of Luigi Michelacci’s research, a painter trained in the Tuscan milieu and a pupil of Giovanni Fattori. Michelacci assimilated the macchiaiolo lesson, later opening up to the suggestions of French painting, the Barbizon school, and above all the chiaroscuro and expressive force of Honoré Daumier.
In this painting the attention is mainly focused on the psychological characterization of the character. The face, marked by age and life, is built through dense and vigorous brushstrokes, with strong contrasts between the illuminated areas of the forehead, nose, and cheekbones and the deep shadows produced by the hat.
Particularly interesting is the substantial painting matter, clearly perceptible in the sky and in the light areas of the landscape. This is an element that finds resonance in Michelacci’s production: Treccani notes that in works between 1925 and 1930 the artist used a particularly substantial painting matter, sometimes resorting to transparent glazes to obtain relief effects.
The palette, deliberately restrained to browns, blacks, ochres, earth tones, and bright grays, gives the figure an almost sculptural presence. The landscape is not merely a backdrop but accompanies and completes the human dimension of the protagonist, in keeping with Michelacci’s typical conception, in which the figure tends to integrate deeply with the surrounding environment.
In good condition of conservation with signs of time and wear referable to the period
*** Note on photographs
Some of the photographs accompanying this sheet have been professionally produced using controlled artificial lighting, with the use of a studio spotlight, in order to ensure better legibility of the work and allow a more precise observation of the painting surface, the figurative details, and the chroma.
The frame present is supplied as a gift
- Certificate of legitimate provenance and Expertise
- Insured shipping and electronic invoicing
Seller's Story
Luigi Michelacci
Meldola, 1879 – Florence, 1959
“The Pedestrian”
Oil on panel – signed bottom left
Dimensions: 50 x 39 cm in a contemporaneous frame
Panel: 34 x 25 cm
Year: 1943
The painting depicts, in half-length and profile, an elderly pedestrian, characterized by a lean and intensely expressive face, covered by a wide dark hat and wrapped in a cloak. The figure stands out against an essential landscape, constructed through earthy tones and a sky of light color with painting matter particularly evident.
The work shows some characteristic elements of Luigi Michelacci’s research, a painter trained in the Tuscan milieu and a pupil of Giovanni Fattori. Michelacci assimilated the macchiaiolo lesson, later opening up to the suggestions of French painting, the Barbizon school, and above all the chiaroscuro and expressive force of Honoré Daumier.
In this painting the attention is mainly focused on the psychological characterization of the character. The face, marked by age and life, is built through dense and vigorous brushstrokes, with strong contrasts between the illuminated areas of the forehead, nose, and cheekbones and the deep shadows produced by the hat.
Particularly interesting is the substantial painting matter, clearly perceptible in the sky and in the light areas of the landscape. This is an element that finds resonance in Michelacci’s production: Treccani notes that in works between 1925 and 1930 the artist used a particularly substantial painting matter, sometimes resorting to transparent glazes to obtain relief effects.
The palette, deliberately restrained to browns, blacks, ochres, earth tones, and bright grays, gives the figure an almost sculptural presence. The landscape is not merely a backdrop but accompanies and completes the human dimension of the protagonist, in keeping with Michelacci’s typical conception, in which the figure tends to integrate deeply with the surrounding environment.
In good condition of conservation with signs of time and wear referable to the period
*** Note on photographs
Some of the photographs accompanying this sheet have been professionally produced using controlled artificial lighting, with the use of a studio spotlight, in order to ensure better legibility of the work and allow a more precise observation of the painting surface, the figurative details, and the chroma.
The frame present is supplied as a gift
- Certificate of legitimate provenance and Expertise
- Insured shipping and electronic invoicing
