Alessandro Padovan - (NO RESERVE) DESTROYED LOVE






Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.
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Alessandro Padovan presents the original, framed 2026 work titled “(NO RESERVE) DESTROYED LOVE” in mixed media on plexiglass with a 52 x 52 cm white and black composition, signed by hand, produced in Italy by Galleria as part of an original edition and depicting contemporary pop culture in excellent condition.
Description from the seller
Love Destroyed
Technique: cracks made on synthetic glass
Support: synthetic glass and wood
Dimensions: 52 × 52 cm
Love Destroyed arises from transforming fragility into artistic material.
On a surface of plexiglass, the cracks propagate like wounds, fractures and scars. At the center of the work emerges the word LOVE by Robert Indiana, recognizable yet deeply compromised: the letters seem to survive the break, traversed and deformed by a network of fractures.
The contrast between the black support and the white cracks represents the moment when something that seemed solid breaks. Love is not simply erased: it remains visible through its fractures, transforming into memory.
The plexiglass, a transparent and seemingly resistant material, thus becomes a metaphor for the fragility of feelings. Each crack is a consequence, a choice, a wound; together they build a new image of love, imperfect but still recognizable.
The work invites reflection on a question: when love breaks, does it really disappear or does it remain forever in its scars?
Unique framed work with signature on the back, certificate of authenticity.
Love Destroyed
Technique: cracks made on synthetic glass
Support: synthetic glass and wood
Dimensions: 52 × 52 cm
Love Destroyed arises from transforming fragility into artistic material.
On a surface of plexiglass, the cracks propagate like wounds, fractures and scars. At the center of the work emerges the word LOVE by Robert Indiana, recognizable yet deeply compromised: the letters seem to survive the break, traversed and deformed by a network of fractures.
The contrast between the black support and the white cracks represents the moment when something that seemed solid breaks. Love is not simply erased: it remains visible through its fractures, transforming into memory.
The plexiglass, a transparent and seemingly resistant material, thus becomes a metaphor for the fragility of feelings. Each crack is a consequence, a choice, a wound; together they build a new image of love, imperfect but still recognizable.
The work invites reflection on a question: when love breaks, does it really disappear or does it remain forever in its scars?
Unique framed work with signature on the back, certificate of authenticity.
