Lídia Vives - Morphology of Forgetting — Edición 1/3






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Description from the seller
Morphology of Forgetting explores the fragile relationship between memory and oblivion through an image with a silent, symbolic, and deeply pictorial atmosphere.
The female figure, with a gaze between distance and melancholy, appears surrounded by poppies, flowers traditionally linked to dream, forgetting, and the threshold between life and death. The work addresses how memories linger within us: not always as sharp images, but as latent presences that reappear in unexpected ways.
Inspired by Flemish iconography and painting tradition, the photograph builds a suspended, almost ritual scene. The wardrobe, lighting, and composition reference classical painting, reinterpreted from a contemporary photographic perspective in which the symbol takes center stage in the image.
More than representing a concrete story, the work suggests an emotional state. Memory appears here not as an archive, but as an inner landscape: a territory where what we thought forgotten continues to bloom, even if only in the shade.
Limited edition: 1/3
Photography dimensions: 100 × 67 cm
Dimensions with frame: 123 x 91.5 x 3 cm
The work comes framed, with passe-partout and museum glass, ready for exhibition.
A large-format piece belonging to a particularly reduced edition.
SPECIFICATIONS OF THE WORK
Work with frame and museum glass. The frame can be changed without problems and the glass as well.
Technique and paper: Printed on Hahnemuhle Fine Art Baryta paper with a super-brilliant finish.
It is delivered signed and numbered, as well as with a certificate of authenticity.
Shipping with insurance and professional packing to protect the work from potential risks during transport.
Includes cotton gloves for handling the work and a signed postcard with a personal note from the author.
This work has been exhibited in Vienna, so on the back there are marks of the hooks used to hang it and it has a small dent on one part of the frame as can be seen in one of the detail images. Nevertheless, the work is in perfect condition.
The value of the work takes into account the value of the frame and the glass.
ABOUT THE ARTIST:
Lídia Vives (1991) is a photographer and visual artist based in Barcelona. Her work has been published in magazines such as Vogue Italia and Esquire, and has been exhibited internationally in prestigious museums and galleries such as the Louvre (Paris) and the Saatchi Gallery (London).
With a recognizable painterly, symbolic, and narrative style, Lídia creates images charged with color, emotion, and hidden details — her characteristic Easter eggs — inviting careful and deep observation.
She has participated in several contemporary art fairs internationally, and her work has been shown around the world. Among the upcoming noteworthy events are Art Fair Daegu (South Korea) and Affordable Art Fair Vienna (Austria), where her work will again engage diverse audiences and collectors from all over.
INSTAGRAM: @lidia.vives
Seller's Story
Morphology of Forgetting explores the fragile relationship between memory and oblivion through an image with a silent, symbolic, and deeply pictorial atmosphere.
The female figure, with a gaze between distance and melancholy, appears surrounded by poppies, flowers traditionally linked to dream, forgetting, and the threshold between life and death. The work addresses how memories linger within us: not always as sharp images, but as latent presences that reappear in unexpected ways.
Inspired by Flemish iconography and painting tradition, the photograph builds a suspended, almost ritual scene. The wardrobe, lighting, and composition reference classical painting, reinterpreted from a contemporary photographic perspective in which the symbol takes center stage in the image.
More than representing a concrete story, the work suggests an emotional state. Memory appears here not as an archive, but as an inner landscape: a territory where what we thought forgotten continues to bloom, even if only in the shade.
Limited edition: 1/3
Photography dimensions: 100 × 67 cm
Dimensions with frame: 123 x 91.5 x 3 cm
The work comes framed, with passe-partout and museum glass, ready for exhibition.
A large-format piece belonging to a particularly reduced edition.
SPECIFICATIONS OF THE WORK
Work with frame and museum glass. The frame can be changed without problems and the glass as well.
Technique and paper: Printed on Hahnemuhle Fine Art Baryta paper with a super-brilliant finish.
It is delivered signed and numbered, as well as with a certificate of authenticity.
Shipping with insurance and professional packing to protect the work from potential risks during transport.
Includes cotton gloves for handling the work and a signed postcard with a personal note from the author.
This work has been exhibited in Vienna, so on the back there are marks of the hooks used to hang it and it has a small dent on one part of the frame as can be seen in one of the detail images. Nevertheless, the work is in perfect condition.
The value of the work takes into account the value of the frame and the glass.
ABOUT THE ARTIST:
Lídia Vives (1991) is a photographer and visual artist based in Barcelona. Her work has been published in magazines such as Vogue Italia and Esquire, and has been exhibited internationally in prestigious museums and galleries such as the Louvre (Paris) and the Saatchi Gallery (London).
With a recognizable painterly, symbolic, and narrative style, Lídia creates images charged with color, emotion, and hidden details — her characteristic Easter eggs — inviting careful and deep observation.
She has participated in several contemporary art fairs internationally, and her work has been shown around the world. Among the upcoming noteworthy events are Art Fair Daegu (South Korea) and Affordable Art Fair Vienna (Austria), where her work will again engage diverse audiences and collectors from all over.
INSTAGRAM: @lidia.vives
