MEDSAN - Kintsugi Scream (金継ぎの叫び) - UNIQUE WORK






Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.
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Artist MEDSAN presents Kintsugi Scream (金継ぎの叫び) – UNIQUE WORK, a 40 × 40 cm giclée on canvas, signed by hand, edition 1/1, created in 2026 in France, in excellent condition, depicting pop culture imagery in a pop art style.
Description from the seller
THERE IS ONLY ONE IN THE WORLD - EDITION 1/1
With this square-format work, Medsan brings Edvard Munch's The Scream (1893) into the world of blue-and-white porcelain, that of the great Japanese Arita platters and Delft faiences. The screeching figure of Norwegian expressionism becomes a ceramic motif, outlined in cobalt, before being crossed by the fracture network of kintsugi, the Japanese art that repairs breaks instead of concealing them. Two traditions that were never meant to cross paths are here held in a single square.
At the center, the bald silhouette presses its hands to its cheeks, mouth open in a cry that we do not hear, eyes fixed straight on the viewer. Behind it, the railing of the bridge runs diagonally toward two still walkers who saw nothing, while the image shows the fjord, a sailboat, the hills and the sky swirling in fine blue hatchings imitating the ceramist's brush. A single red streak lines the horizon and answers the red collar of the figure: these are the only deviations from a palette wholly dominated by blue on an ivory background. In the bottom-right corner, the cartouche メドサン can be read, the artist's signature in katakana.
The clear lines that traverse the scene, mimicking the lacquer of gold of-kintsugi, repair not only the background: they pass over the face itself, just under the open mouth, like a tear that has been resewn. Munch painted an inescapable anguish; kintsugi asserts that something broken, once owned, is worth more than intact. The mashup thus transforms the absolute icon of modern panic into an object reconciled with its own crack.
An immediately legible piece yet dense with references, ideal for bringing a graphical and Japanese touch to a contemporary interior or to a collector’s space fond of clever détournements. What you receive is a unique giclée print on canvas, a pigment print mounted on a frame, numbered 1/1 and signed by hand.
Technical specifications:
Artist: Medsan
Reference: Munch / The Scream / kintsugi / blue-and-white porcelain / expressionism / mashup
Dimensions: 40 x 40 cm
Edition: Unique work — 1/1 (world’s only copy)
Year: 2026
Support: Giclée print on canvas, using a high-quality pigment ink to faithfully reproduce details and colors.
Signature: Yes, hand-signed
Condition: Excellent condition
Certificate: Certificate of authenticity (upon request)
About the Workshop:
Atelier Joconde is a workshop of artists gathered around a living, plural contemporary creation. Established as a real center of artistic production, the studio operates both in collective creation and individual approaches, depending on projects and works. Atelier Joconde is also a family adventure. Le Yack, a contemporary figurative painter, develops a narrative and introspective body of work with cinematic and realist influences. By his side, Medsan, oriented toward pop art painting, explores color, modern iconography, and visual culture. Finally, Neo Pablo engages in a more instinctive quest, blending abstract art, outsider art, and figurative abstraction. Each work is conceived, realized, and followed within the studio, with a shared artistic standard and a unique identity for each artist.
Keywords:
Medsan, Atelier Joconde, Le Yack, The Scream, Edvard Munch, Kintsugi, Blue-and-white Porcelain, Expressionism, Japanese Ceramic, Square Format, Contemporary, Unique Work, 1/1
THERE IS ONLY ONE IN THE WORLD - EDITION 1/1
With this square-format work, Medsan brings Edvard Munch's The Scream (1893) into the world of blue-and-white porcelain, that of the great Japanese Arita platters and Delft faiences. The screeching figure of Norwegian expressionism becomes a ceramic motif, outlined in cobalt, before being crossed by the fracture network of kintsugi, the Japanese art that repairs breaks instead of concealing them. Two traditions that were never meant to cross paths are here held in a single square.
At the center, the bald silhouette presses its hands to its cheeks, mouth open in a cry that we do not hear, eyes fixed straight on the viewer. Behind it, the railing of the bridge runs diagonally toward two still walkers who saw nothing, while the image shows the fjord, a sailboat, the hills and the sky swirling in fine blue hatchings imitating the ceramist's brush. A single red streak lines the horizon and answers the red collar of the figure: these are the only deviations from a palette wholly dominated by blue on an ivory background. In the bottom-right corner, the cartouche メドサン can be read, the artist's signature in katakana.
The clear lines that traverse the scene, mimicking the lacquer of gold of-kintsugi, repair not only the background: they pass over the face itself, just under the open mouth, like a tear that has been resewn. Munch painted an inescapable anguish; kintsugi asserts that something broken, once owned, is worth more than intact. The mashup thus transforms the absolute icon of modern panic into an object reconciled with its own crack.
An immediately legible piece yet dense with references, ideal for bringing a graphical and Japanese touch to a contemporary interior or to a collector’s space fond of clever détournements. What you receive is a unique giclée print on canvas, a pigment print mounted on a frame, numbered 1/1 and signed by hand.
Technical specifications:
Artist: Medsan
Reference: Munch / The Scream / kintsugi / blue-and-white porcelain / expressionism / mashup
Dimensions: 40 x 40 cm
Edition: Unique work — 1/1 (world’s only copy)
Year: 2026
Support: Giclée print on canvas, using a high-quality pigment ink to faithfully reproduce details and colors.
Signature: Yes, hand-signed
Condition: Excellent condition
Certificate: Certificate of authenticity (upon request)
About the Workshop:
Atelier Joconde is a workshop of artists gathered around a living, plural contemporary creation. Established as a real center of artistic production, the studio operates both in collective creation and individual approaches, depending on projects and works. Atelier Joconde is also a family adventure. Le Yack, a contemporary figurative painter, develops a narrative and introspective body of work with cinematic and realist influences. By his side, Medsan, oriented toward pop art painting, explores color, modern iconography, and visual culture. Finally, Neo Pablo engages in a more instinctive quest, blending abstract art, outsider art, and figurative abstraction. Each work is conceived, realized, and followed within the studio, with a shared artistic standard and a unique identity for each artist.
Keywords:
Medsan, Atelier Joconde, Le Yack, The Scream, Edvard Munch, Kintsugi, Blue-and-white Porcelain, Expressionism, Japanese Ceramic, Square Format, Contemporary, Unique Work, 1/1
