E. García - Estambul XL (no reserve)

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16
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Current bid
€ 6
No reserve price
Côme De Drouas
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Gallery Estimate  € 2,000 - € 2,400
IT
€6
IT
€4
NL
€3

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Artwork by E. García titled Estambul XL (no reserve), an original acrylic painting in multicolour Realism, 100 x 70 cm, created in 2026, signed by hand, in excellent condition, from Spain, sold directly by the artist, with a certificate of authenticity.

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Description from the seller

ISTANBUL is a 70x100 cm painting by contemporary artist Ernest García. The work presents a scene with a strong atmospheric and orientalist charge in which a female figure dressed in black, placed in the foreground, contemplates from a dim interior the monumental silhouette of a great mosque. The contrast between the darkness of the nearby space and the intense yellow of the sky makes the image a theatrical, evocative, and mysterious composition.

The composition centers around a large arch that functions as a frame within the painting. Through it the city appears, built with domes, minarets, and simplified architectural volumes in blues, light blues, and small orange accents. The female figure occupies the right side and, although treated almost as a silhouette, she acquires a great emotional presence. Her contemplative attitude introduces a narrative dimension that transforms the urban landscape into an intimate experience. Color plays an essential role. Ernest García contrasts a bright yellow background with deep blues, blacks, and oranges, creating a combination with a strong visual impact. Istanbul’s architecture is bathed in an unreal, vibrant light, more emotional than descriptive. This chromatic freedom connects the work with the Fauvist and Expressionist tradition, where color is used to intensify the atmosphere and not only to reproduce reality.

The brushwork is visible, direct, and gestural. Architectural details are synthesized through masses and vertical lines, while the ornamental elements in the foreground are resolved with quick strokes in blue and orange. This economy of means reinforces the graphic strength of the work and allows the great contrast between figure, arch, and horizon to dominate the visual reading. The work maintains affinities with orientalism, though reinterpreted from a contemporary sensibility. Also noticeable are echoes of Henri Matisse in the interest in the Islamic world, ornamentation, and chromatic exaltation, as well as a certain Expressionist resonance in reducing the human figure to a dark, symbolic presence. These references function as visual echoes within a language of their own.

Beyond representing a view of Istanbul, the painting speaks of distance, contemplation, and fascination with the city. The figure seems suspended before a luminous vision, almost as if observing a memory or a dreamed landscape. Religious architecture, the great arch, and the sky’s intensity build an atmosphere between the spiritual, the traveler, and the cinematic.

Istanbul will be especially attractive to collectors interested in contemporary figurative painting, urban landscapes, Islamic architecture, mosques, reinterpretations of Orientalism, Fauvism, Henri Matisse, expressive painting, travel scenes, and Spanish contemporary art. Its strong chromatic contrast, its theatrical composition, and its mysterious atmosphere make it a work with great visual presence and notable appeal for auctions.


Authenticity and Shipping:
The work is offered directly by E. García, guaranteeing its authenticity with a certificate signed by the artist himself. The painting will be carefully rolled and protected inside a sturdy cardboard tube for shipping. After payment confirmation, a period of three days is required to prepare the piece and send it. Delivery time will depend on the destination, with a maximum of up to ten business days."

ISTANBUL is a 70x100 cm painting by contemporary artist Ernest García. The work presents a scene with a strong atmospheric and orientalist charge in which a female figure dressed in black, placed in the foreground, contemplates from a dim interior the monumental silhouette of a great mosque. The contrast between the darkness of the nearby space and the intense yellow of the sky makes the image a theatrical, evocative, and mysterious composition.

The composition centers around a large arch that functions as a frame within the painting. Through it the city appears, built with domes, minarets, and simplified architectural volumes in blues, light blues, and small orange accents. The female figure occupies the right side and, although treated almost as a silhouette, she acquires a great emotional presence. Her contemplative attitude introduces a narrative dimension that transforms the urban landscape into an intimate experience. Color plays an essential role. Ernest García contrasts a bright yellow background with deep blues, blacks, and oranges, creating a combination with a strong visual impact. Istanbul’s architecture is bathed in an unreal, vibrant light, more emotional than descriptive. This chromatic freedom connects the work with the Fauvist and Expressionist tradition, where color is used to intensify the atmosphere and not only to reproduce reality.

The brushwork is visible, direct, and gestural. Architectural details are synthesized through masses and vertical lines, while the ornamental elements in the foreground are resolved with quick strokes in blue and orange. This economy of means reinforces the graphic strength of the work and allows the great contrast between figure, arch, and horizon to dominate the visual reading. The work maintains affinities with orientalism, though reinterpreted from a contemporary sensibility. Also noticeable are echoes of Henri Matisse in the interest in the Islamic world, ornamentation, and chromatic exaltation, as well as a certain Expressionist resonance in reducing the human figure to a dark, symbolic presence. These references function as visual echoes within a language of their own.

Beyond representing a view of Istanbul, the painting speaks of distance, contemplation, and fascination with the city. The figure seems suspended before a luminous vision, almost as if observing a memory or a dreamed landscape. Religious architecture, the great arch, and the sky’s intensity build an atmosphere between the spiritual, the traveler, and the cinematic.

Istanbul will be especially attractive to collectors interested in contemporary figurative painting, urban landscapes, Islamic architecture, mosques, reinterpretations of Orientalism, Fauvism, Henri Matisse, expressive painting, travel scenes, and Spanish contemporary art. Its strong chromatic contrast, its theatrical composition, and its mysterious atmosphere make it a work with great visual presence and notable appeal for auctions.


Authenticity and Shipping:
The work is offered directly by E. García, guaranteeing its authenticity with a certificate signed by the artist himself. The painting will be carefully rolled and protected inside a sturdy cardboard tube for shipping. After payment confirmation, a period of three days is required to prepare the piece and send it. Delivery time will depend on the destination, with a maximum of up to ten business days."

Details

Artist
E. García
Edition
Original
Sold by
Direct from the artist
Sold with frame
No
Title of artwork
Estambul XL (no reserve)
Technique
Acrylic painting
Signature
Hand signed
Country of origin
Spain
Year
2026
Condition
Excellent condition
Colour
Multicolour
Height
100 cm
Width
70 cm
Weight
0.6 kg
Depiction/theme
Famous landmarks
Style
Realism
Period
2020+
SpainVerified
1677
Objects sold
99.08%
protop

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