EMIR BERCUTTE - BANSKY LOVE - Toile L - LIMITED EDITION






Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.
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Emir Bercutte presents 'BANSKY LOVE - Toile L - LIMITED EDITION', an 80×80 cm mixed-media on canvas with AI, hand-signed, year 2024, edition 1/10, produced in France, mounted on a wooden stretcher and ready to hang in excellent condition; certificate of authenticity is sent separately.
Description from the seller
Magnificent street art piece in the style of the greatest street artist Banksy
On each photo in the collection, a message is painted on the wall like graffiti.
This work is the product of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm called Midjourney.
‘The setup visuals are AI visualizations based on photographs of the real object. The photographs of the real object are the reference.’
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity is sent separately by mail for security reasons.
The work is shipped directly by our partner German laboratory for reasons of print quality.
Who is the artist
EMIR BERCUTTE, born in 1968 in Paris, Emir Bercutte developed very early a sensitivity to urban landscapes and the forms of expression that traverse them. After a long journey outside the institutional artistic field, he fully commits to creation from 2010.
Passionate about street art, which he considers the most direct and vivid form of contemporary visual writing, he begins by roaming the cities of the world to document their walls.
His photographic work focuses on ephemeral works, the traces left by artists, and the silent dialogues between the street, architecture, and images. He photographs both the great capitals and more peripheral territories, building over the years a vast visual archive of world street art.
In 2023, Emir Bercutte began a new turning point by integrating artificial intelligence into his practice. He approaches it not as a disruptive tool, but as an extension of his gaze as a photographer and lover of street art.
From his own images and references drawn from urban culture, he creates hybrid works where the memory of walls, tags, and frescoes dialogues with forms generated by AI. His compositions interrogate the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte's work sits at the frontier between photography and algorithmic creation, offering a new way of thinking about street art in the era of artificial intelligence.
Magnificent street art piece in the style of the greatest street artist Banksy
On each photo in the collection, a message is painted on the wall like graffiti.
This work is the product of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm called Midjourney.
‘The setup visuals are AI visualizations based on photographs of the real object. The photographs of the real object are the reference.’
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity is sent separately by mail for security reasons.
The work is shipped directly by our partner German laboratory for reasons of print quality.
Who is the artist
EMIR BERCUTTE, born in 1968 in Paris, Emir Bercutte developed very early a sensitivity to urban landscapes and the forms of expression that traverse them. After a long journey outside the institutional artistic field, he fully commits to creation from 2010.
Passionate about street art, which he considers the most direct and vivid form of contemporary visual writing, he begins by roaming the cities of the world to document their walls.
His photographic work focuses on ephemeral works, the traces left by artists, and the silent dialogues between the street, architecture, and images. He photographs both the great capitals and more peripheral territories, building over the years a vast visual archive of world street art.
In 2023, Emir Bercutte began a new turning point by integrating artificial intelligence into his practice. He approaches it not as a disruptive tool, but as an extension of his gaze as a photographer and lover of street art.
From his own images and references drawn from urban culture, he creates hybrid works where the memory of walls, tags, and frescoes dialogues with forms generated by AI. His compositions interrogate the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte's work sits at the frontier between photography and algorithmic creation, offering a new way of thinking about street art in the era of artificial intelligence.
