Marcus de Vestele (1941-2024) - Composition Cobra à la figure rouge






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Marcus de Vestele (1941–2024), Composition Cobra à la figure rouge, watercolour on paper from circa 1975, 50.5 × 40.5 cm, original edition, Belgium.
Description from the seller
Marcus de Vestele (1941-2024)
Cobra composition with a red face
Watercolor, gouache and ink on paper, circa 1975
Signature: Not signed on the front.
Studio stamp on the back: “Marcus de Vestele – Atelier de l’artiste”
Dimensions: 50.5 × 40.5 cm
Sold unframed
Condition:
Good overall condition. Some light signs of aging, consistent with a studio work from the 1970s.
Provenance: Artist’s studio of Marcus de Vestele.
Beautiful Cobra composition by Marcus de Vestele, created around 1975.
In the foreground, a large red-orange figure, drawn with washes and black ink, asserts itself with force. Behind it, a group of blue silhouettes rises like a crowd, while a gray form stands to the right. The yellow-beige background, punctuated with gray, opens the space as if an interior or a mental landscape.
The treatment is typically Cobra: spontaneity of gesture, pure and high-contrast colors (red, yellow, blue, black), a constant tension between elemental figuration and abstraction. The red figure gives the whole a human presence that is both fragile and monumental.
A colorful, dynamic work, characteristic of Cobra on paper by Marcus de Vestele in the 1970s, directly from the artist’s studio.
Biography
Marcus de Vestele (1941-2024) is a major Belgian artist, best known primarily as a marble sculptor (notably in Carrara and with Bardiglio marble).
Alongside his sculptural practice, he developed throughout his life a significant pictorial output, long kept confidential and today sought after by collectors.
Greatly influenced by the Cobra movement (Karel Appel, Asger Jorn, Pierre Alechinsky, Corneille, Constant…), Marcus de Vestele drew inspiration from it to create abstract-figurative compositions of great expressive power. His on-paper works from the 1970s are characterized by spontaneous line, free gesture and a constant tension between figuration and abstraction.
His drawings, washes and gouaches combine the rigor of the sculptor with the lyrical and gestural explosion inherent to Cobra. Directly from the studio, this on-paper production constitutes an essential and unique facet of his oeuvre, occupying a distinctive place in Belgian art of the second half of the 20th century.
Seller's Story
Marcus de Vestele (1941-2024)
Cobra composition with a red face
Watercolor, gouache and ink on paper, circa 1975
Signature: Not signed on the front.
Studio stamp on the back: “Marcus de Vestele – Atelier de l’artiste”
Dimensions: 50.5 × 40.5 cm
Sold unframed
Condition:
Good overall condition. Some light signs of aging, consistent with a studio work from the 1970s.
Provenance: Artist’s studio of Marcus de Vestele.
Beautiful Cobra composition by Marcus de Vestele, created around 1975.
In the foreground, a large red-orange figure, drawn with washes and black ink, asserts itself with force. Behind it, a group of blue silhouettes rises like a crowd, while a gray form stands to the right. The yellow-beige background, punctuated with gray, opens the space as if an interior or a mental landscape.
The treatment is typically Cobra: spontaneity of gesture, pure and high-contrast colors (red, yellow, blue, black), a constant tension between elemental figuration and abstraction. The red figure gives the whole a human presence that is both fragile and monumental.
A colorful, dynamic work, characteristic of Cobra on paper by Marcus de Vestele in the 1970s, directly from the artist’s studio.
Biography
Marcus de Vestele (1941-2024) is a major Belgian artist, best known primarily as a marble sculptor (notably in Carrara and with Bardiglio marble).
Alongside his sculptural practice, he developed throughout his life a significant pictorial output, long kept confidential and today sought after by collectors.
Greatly influenced by the Cobra movement (Karel Appel, Asger Jorn, Pierre Alechinsky, Corneille, Constant…), Marcus de Vestele drew inspiration from it to create abstract-figurative compositions of great expressive power. His on-paper works from the 1970s are characterized by spontaneous line, free gesture and a constant tension between figuration and abstraction.
His drawings, washes and gouaches combine the rigor of the sculptor with the lyrical and gestural explosion inherent to Cobra. Directly from the studio, this on-paper production constitutes an essential and unique facet of his oeuvre, occupying a distinctive place in Belgian art of the second half of the 20th century.
