Luigi Rossanigo (1948) - Presenze






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Luigi Rossanigo (1948), Presenze, a mixed media metal plate artwork, edition 1/1, 2016, 32×23 cm, Italian origin, sold with frame.
Description from the seller
(During this period I ship only within the European Union)
The proposed work is a relief metal plate (embossing done by my own hand), an artist's proof numbered 1/1, 30x21 cm, painted in red and white - signed on the plate - with a frame 32x23x2 cm - a piece that suits any decor.
The work will be carefully packaged and shipped within 3 days with an authentication photo signed by the artist -- ready to hang or rest on a surface --
Tracked and insured shipping - (unfortunately the photo never does it justice)
For those who love the innovations of the 20th century improved in technique in the 2000s -- an intriguing and innovative work - not to be missed
…in the slow and steady unfolding of his search, Luigi Rossanigo pursued a particular artistic training, characterized by various experiments across different disciplines. From the early painting experiences in which the subject was treated with direct reference to the real, the artist, in the first half of the 1970s, progressively approached an abstract conception of form, synthesized in a quick and frank gesturality. This informal interlude found its natural evolution in a surrealism lived with a very personal introspective intention, among abnormal mystifications of the real, noted with the precision of an eighteenth-century traveler. While simultaneously nurturing a delight for the precious art of jewelry and approaching the sculptural environment of Carrara, the versatile artist felt the need to challenge himself in the volumetric definition of the marble block, transferring onto it the three-dimensional interpretation of the work already imagined for the aureate jewel. This path led Rossanigo to modify the painting's structural layout, moving toward the creation of tensile structures and polymaterial composites, a new dialectic in which the harmony between painting and sculpture took shape...
(During this period I ship only within the European Union)
The proposed work is a relief metal plate (embossing done by my own hand), an artist's proof numbered 1/1, 30x21 cm, painted in red and white - signed on the plate - with a frame 32x23x2 cm - a piece that suits any decor.
The work will be carefully packaged and shipped within 3 days with an authentication photo signed by the artist -- ready to hang or rest on a surface --
Tracked and insured shipping - (unfortunately the photo never does it justice)
For those who love the innovations of the 20th century improved in technique in the 2000s -- an intriguing and innovative work - not to be missed
…in the slow and steady unfolding of his search, Luigi Rossanigo pursued a particular artistic training, characterized by various experiments across different disciplines. From the early painting experiences in which the subject was treated with direct reference to the real, the artist, in the first half of the 1970s, progressively approached an abstract conception of form, synthesized in a quick and frank gesturality. This informal interlude found its natural evolution in a surrealism lived with a very personal introspective intention, among abnormal mystifications of the real, noted with the precision of an eighteenth-century traveler. While simultaneously nurturing a delight for the precious art of jewelry and approaching the sculptural environment of Carrara, the versatile artist felt the need to challenge himself in the volumetric definition of the marble block, transferring onto it the three-dimensional interpretation of the work already imagined for the aureate jewel. This path led Rossanigo to modify the painting's structural layout, moving toward the creation of tensile structures and polymaterial composites, a new dialectic in which the harmony between painting and sculpture took shape...
