René Mels (1909-1977) - Belle composition abstraite, 1960






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René Mels, Belle composition abstraite, 1960, a watercolor on paper (aquarelle) from 1960, original edition, 42 cm high by 54.5 cm wide, signed with RM monogram in the bottom right, in good condition, country of origin Belgium, sold by private owner or dealer, includes its original passe-partout and is unframed.
Description from the seller
René Mels (1909-1977)
Abstract composition
Watercolor on paper, circa 1960
Signature: Monogrammed “RM” in the lower right corner.
Total dimensions (with mat): 54.5 × 42 cm
Sold with its original mat
Sold unframed
Condition: Good overall condition of the watercolor. Fresh colors, preserved transparencies and contrasts. The paper retains its texture and brightness. The original mat shows some imperfections and stains, to note.
Beautiful watercolor by René Mels, created around 1960, in a period of full maturity of his lyrical abstraction.
The composition is organized around a sunny and contrasted palette: golden yellows and warm ochres dominate, crossed by masses of blue (from sky blue to deep blue) and reserves of white.
Earthy brown touches and a few dark accents, almost calligraphic, rhythm the space. The broad flat areas sit atop fluid washes and more nervous gestures.
Rounded shapes and organic blotches dialogue with verticals and drier traces, allusively evoking a landscape or stylized vegetation, without ever leaving the realm of abstraction.
This piece well illustrates Mels’s search in the 1960s: spontaneous writing, expressive chromaticism, balance between structure and freedom of gesture. The transparencies of the watercolor and the paper’s reserves bring light and depth. It sits in the continuity of his research where engraving and wash nourish an increasingly fluid and sensorial painting.
Biography
René Mels (René Meulemans, 1909-1977) was trained at the Academies of Leuven and Brussels, then at La Cambre. After an early Expressionist phase influenced by Permeke, he moved toward abstraction from 1947. An active member of Jeune Peinture Belge (exhibitions 1947-1948 at the Palais des Beaux-Arts in Brussels), he joined the group Art abstrait in 1952 and co-founded Cap d’encre in 1963.
His work is characterized by a concern for construction, a flexible writing, and expressive chromaticism. In 1950, a state grant allowed him to work at Atelier 17 of Stanley William Hayter in Paris.
His watercolors, etchings and paintings feature in numerous public collections in Belgium and internationally, notably at the Royal Museums of Fine Arts of Belgium.
Seller's Story
René Mels (1909-1977)
Abstract composition
Watercolor on paper, circa 1960
Signature: Monogrammed “RM” in the lower right corner.
Total dimensions (with mat): 54.5 × 42 cm
Sold with its original mat
Sold unframed
Condition: Good overall condition of the watercolor. Fresh colors, preserved transparencies and contrasts. The paper retains its texture and brightness. The original mat shows some imperfections and stains, to note.
Beautiful watercolor by René Mels, created around 1960, in a period of full maturity of his lyrical abstraction.
The composition is organized around a sunny and contrasted palette: golden yellows and warm ochres dominate, crossed by masses of blue (from sky blue to deep blue) and reserves of white.
Earthy brown touches and a few dark accents, almost calligraphic, rhythm the space. The broad flat areas sit atop fluid washes and more nervous gestures.
Rounded shapes and organic blotches dialogue with verticals and drier traces, allusively evoking a landscape or stylized vegetation, without ever leaving the realm of abstraction.
This piece well illustrates Mels’s search in the 1960s: spontaneous writing, expressive chromaticism, balance between structure and freedom of gesture. The transparencies of the watercolor and the paper’s reserves bring light and depth. It sits in the continuity of his research where engraving and wash nourish an increasingly fluid and sensorial painting.
Biography
René Mels (René Meulemans, 1909-1977) was trained at the Academies of Leuven and Brussels, then at La Cambre. After an early Expressionist phase influenced by Permeke, he moved toward abstraction from 1947. An active member of Jeune Peinture Belge (exhibitions 1947-1948 at the Palais des Beaux-Arts in Brussels), he joined the group Art abstrait in 1952 and co-founded Cap d’encre in 1963.
His work is characterized by a concern for construction, a flexible writing, and expressive chromaticism. In 1950, a state grant allowed him to work at Atelier 17 of Stanley William Hayter in Paris.
His watercolors, etchings and paintings feature in numerous public collections in Belgium and internationally, notably at the Royal Museums of Fine Arts of Belgium.
