Camerapohoto Epoche/Vittorio Pavan - 09-Automobile Renault risale il ponte di Rialto-Venezia, 1961-
04
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€ 2
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Selected by Elena Vaninetti
Has over ten years of experience in art, specialising in post-war photography and contemporary art.
Estimate € 400 - € 500
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Photograph by Camerapohoto Epoche/Vittorio Pavan, titled 09-Automobile Renault risale il ponte di Rialto-Venezia, 1961-, edition 01/30, printed digitally on baryta paper, 55 × 55 cm, signed with a stamp, sold directly by the artist.
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Description from the seller
Digital print with pigment inks on baryta fiber silk paper, with a 60x70 cm sheet.
All images are taken from the original negatives, belonging to Vittorio Pavan's Cameraphoto Epoche Archive.
Print on 310 g Silk fiber baryta paper. pigment inks. Paper 60x70 cm.
The image obtained from a 6×6 cm negative
Camera Epoche - Venice Historical Archive:
Three hundred thousand mostly unpublished black-and-white images: negatives on glass gradually giving way, as time passes, to 4 x 5 inch sheet film, then to 120 rolls during the Fifties, replaced by 135 cartridges from the early 1970s on. Such is the content of the Archivio Cameraphoto Epoche archive in numbers. A quick peek at it and we can't help falling in love with long-gone faces, places and facts whose strength still pops out of each contact print and has now become history: movie stars and art/culture personalities, day and night views of Venice and the surrounding countryside, gossip, crime, sports and local news, artwork or prints reproductions.
About Vittorio Pavan:
In 1972, at the age of 14, he was hired by Cameraphoto, the largest photojournalism agency in Venice, founded in 1946, collaborating in the production of development and black-and-white analogue press and the creation of photographic services for newspapers and weeklies, including “Il Corriere della Sera,” “La Stampa,” “Der Spiegel,” “Time” and “Life.”
In addition to photojournalism he still collaborates with La Biennale and with the Department of Culture for the realization of exhibition catalogues, including Vasilij Kandinsky, Egon Schiele, Cagnaccio, Tiziano and El Greco.
In 1987 he took over the Agency.
He currently makes art photographs for books, collaborating with publishing houses such as Electa, Treccani, Biblos, Magnus. In addition to the reproduction of works of art (the latest major work the book "Emilio Vedova Sculptor" published by Skira), he produces analogue black-and-white prints and fine art digital prints, for professionals and artists, among my clients include; Araki, Fulvio Roiter, Giorgia Fiorio, David Hamilton, Danilo De Marchi.
In addition to the activity of photographer and printer, for about five years he has dedicated himself to the enhancement and conservation of his historical archive, called "Archivio Cameraphoto Epoche" containing about 300,000 negatives from the post-war period to the 80s, whose negatives represent in various aspects the history of Venice and not only.
Digital print with pigment inks on baryta fiber silk paper, with a 60x70 cm sheet.
All images are taken from the original negatives, belonging to Vittorio Pavan's Cameraphoto Epoche Archive.
Print on 310 g Silk fiber baryta paper. pigment inks. Paper 60x70 cm.
The image obtained from a 6×6 cm negative
Camera Epoche - Venice Historical Archive:
Three hundred thousand mostly unpublished black-and-white images: negatives on glass gradually giving way, as time passes, to 4 x 5 inch sheet film, then to 120 rolls during the Fifties, replaced by 135 cartridges from the early 1970s on. Such is the content of the Archivio Cameraphoto Epoche archive in numbers. A quick peek at it and we can't help falling in love with long-gone faces, places and facts whose strength still pops out of each contact print and has now become history: movie stars and art/culture personalities, day and night views of Venice and the surrounding countryside, gossip, crime, sports and local news, artwork or prints reproductions.
About Vittorio Pavan:
In 1972, at the age of 14, he was hired by Cameraphoto, the largest photojournalism agency in Venice, founded in 1946, collaborating in the production of development and black-and-white analogue press and the creation of photographic services for newspapers and weeklies, including “Il Corriere della Sera,” “La Stampa,” “Der Spiegel,” “Time” and “Life.”
In addition to photojournalism he still collaborates with La Biennale and with the Department of Culture for the realization of exhibition catalogues, including Vasilij Kandinsky, Egon Schiele, Cagnaccio, Tiziano and El Greco.
In 1987 he took over the Agency.
He currently makes art photographs for books, collaborating with publishing houses such as Electa, Treccani, Biblos, Magnus. In addition to the reproduction of works of art (the latest major work the book "Emilio Vedova Sculptor" published by Skira), he produces analogue black-and-white prints and fine art digital prints, for professionals and artists, among my clients include; Araki, Fulvio Roiter, Giorgia Fiorio, David Hamilton, Danilo De Marchi.
In addition to the activity of photographer and printer, for about five years he has dedicated himself to the enhancement and conservation of his historical archive, called "Archivio Cameraphoto Epoche" containing about 300,000 negatives from the post-war period to the 80s, whose negatives represent in various aspects the history of Venice and not only.
Details
Artist
Camerapohoto Epoche/Vittorio Pavan
Sold by
Direct from the artist
Title of artwork
09-Automobile Renault risale il ponte di Rialto-Venezia, 1961-
Condition
Extremely fine
Technique
Digital print
Height
55 cm
Edition
01/30
Width
55 cm
Signature
Stamped
Genre
Photojournalism
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