Camerapohoto Epoche/Vittorio Pavan - 61-Orson Welles con moglie e figlia-Venezia anni "60
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Selected by Elena Vaninetti
Has over ten years of experience in art, specialising in post-war photography and contemporary art.
Estimate € 300 - € 400
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Camerapohoto Epoche/Vittorio Pavan, 61-Orson Welles with wife and daughter, Venice in the 1960s, digital print on baryta silk paper, 55×55 cm, edition 01/30, stamped signature, condition SPL.
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Description from the seller
Digital pigment-ink printing on baryta silk fiber paper, with a sheet size of 60x70 cm.
All images are taken from the original negatives, belonging to Vittorio Pavan's Cameraphoto Epoche Archive.
Print on 310 g Silk fiber baryta paper. pigment inks. Paper 60x70 cm.
The image is from a 6×6 cm negative.
Camera Epoche - Venice Historical Archive:
Three hundred thousand, mostly unpublished black-and-white images: negatives on glass gradually giving way, as time passes, to 4×5 film-sheet images, then to 120-roll film during the Fifties, replaced by 135 cartridges from the early 1970s onward. Such is the content of the Archivio Cameraphoto Epoche archive in numbers. A quick glimpse at it makes us fall in love with long-gone faces, places and events whose strength still pops out of each contact print and has now become history: movie stars and art/culture personalities, day- and night-time views of Venice and the surrounding countryside, gossip, crime, sports and local news, artwork or prints reproductions.
About Vittorio Pavan:
In 1972, at the age of 14, he was hired by Cameraphoto, the largest photojournalism agency in Venice, founded in 1946, collaborating in the production of development and black-and-white analogue press and the creation of photographic services for newspapers and weeklies, including Il Corriere della Sera, La Stampa, Der Spiegel, Time and Life.
In addition to photojournalism he still collaborates with La Biennale and with the Department of Culture for the realization of exhibition catalogs, including Vasily Kandinsky, Egon Schiele, Cagnaccio, Titian and El Greco.
In 1987 he took over the Agency.
He currently makes art photographs for books, collaborating with publishing houses such as Electa, Treccani, Biblos, Magnus. In addition to the reproduction of works of art (the latest major work the book "Emilio Vedova Sculptor" published by Skira), he produces analogue black-and-white prints and fine-art digital prints, for professionals and artists; among his clients include Araki, Fulvio Roiter, Giorgia Fiorio, David Hamilton, Danilo De Marchi.
In addition to the activity of photographer and printer, for about five years he has dedicated himself to the enhancement and conservation of his historical archive, called the Archivio Cameraphoto Epoche, containing about 300,000 negatives from the post-war period to the 1980s, whose negatives represent, in several aspects, the history of Venice and more.
Digital pigment-ink printing on baryta silk fiber paper, with a sheet size of 60x70 cm.
All images are taken from the original negatives, belonging to Vittorio Pavan's Cameraphoto Epoche Archive.
Print on 310 g Silk fiber baryta paper. pigment inks. Paper 60x70 cm.
The image is from a 6×6 cm negative.
Camera Epoche - Venice Historical Archive:
Three hundred thousand, mostly unpublished black-and-white images: negatives on glass gradually giving way, as time passes, to 4×5 film-sheet images, then to 120-roll film during the Fifties, replaced by 135 cartridges from the early 1970s onward. Such is the content of the Archivio Cameraphoto Epoche archive in numbers. A quick glimpse at it makes us fall in love with long-gone faces, places and events whose strength still pops out of each contact print and has now become history: movie stars and art/culture personalities, day- and night-time views of Venice and the surrounding countryside, gossip, crime, sports and local news, artwork or prints reproductions.
About Vittorio Pavan:
In 1972, at the age of 14, he was hired by Cameraphoto, the largest photojournalism agency in Venice, founded in 1946, collaborating in the production of development and black-and-white analogue press and the creation of photographic services for newspapers and weeklies, including Il Corriere della Sera, La Stampa, Der Spiegel, Time and Life.
In addition to photojournalism he still collaborates with La Biennale and with the Department of Culture for the realization of exhibition catalogs, including Vasily Kandinsky, Egon Schiele, Cagnaccio, Titian and El Greco.
In 1987 he took over the Agency.
He currently makes art photographs for books, collaborating with publishing houses such as Electa, Treccani, Biblos, Magnus. In addition to the reproduction of works of art (the latest major work the book "Emilio Vedova Sculptor" published by Skira), he produces analogue black-and-white prints and fine-art digital prints, for professionals and artists; among his clients include Araki, Fulvio Roiter, Giorgia Fiorio, David Hamilton, Danilo De Marchi.
In addition to the activity of photographer and printer, for about five years he has dedicated himself to the enhancement and conservation of his historical archive, called the Archivio Cameraphoto Epoche, containing about 300,000 negatives from the post-war period to the 1980s, whose negatives represent, in several aspects, the history of Venice and more.
Details
Artist
Camerapohoto Epoche/Vittorio Pavan
Sold by
Owner or reseller
Title of artwork
61-Orson Welles con moglie e figlia-Venezia anni "60
Condition
Extremely fine
Technique
Digital print
Height
55 cm
Edition
01/30
Width
55 cm
Signature
Stamped
Genre
Photojournalism
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