0xec6d0 (XX-XXI) - Patrick Bateman - XXL






Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.
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Patrick Bateman - XXL, a unique original abstract work by 0xec6d0 created in 2026, using mixed media and pastel on a 105 × 220 cm format (roughly 100 × 210 cm mounted), signed by hand and dated on the back with certificate of authenticity included, from France, 1 kg, sold direct from the artist.
Description from the seller
Dimensions: 105 × 220 cm
Approximately 100 × 210 cm once mounted on a frame.
Unique piece, signed and dated on the back.
Certificate of authenticity included.
▣ 0xec6d0 — Art Brut and the Machine
No face.
0xec6d0 is a French anonymous artist, founder of Nouveau Brutalisme. His work explores areas that contemporary art rarely faces: artificial intelligence, LLM, tensors, NLP, low-level languages, Rust, C, closed systems, digital identity and technical power.
His gesture is neo-expressionist: raw material, acrylic, chalk, physical tension. His subject is cold, precise, almostclinical: the code, the machine, the body, dissociation, Europe losing its shape.
The artist deliberately fades away. No face, no biographical cult: only the work must strike.
Each piece arises from this friction between pictorial brutality and the computational world — violent, gentle, intellectual.
- More than 1,600 pieces sold
- Works collected in the United States and Europe
- Solo exhibition Generation Botox, Sofia, 2024
- Referenced value Akoun / ArtMajeur, 2026
Seller's Story
Dimensions: 105 × 220 cm
Approximately 100 × 210 cm once mounted on a frame.
Unique piece, signed and dated on the back.
Certificate of authenticity included.
▣ 0xec6d0 — Art Brut and the Machine
No face.
0xec6d0 is a French anonymous artist, founder of Nouveau Brutalisme. His work explores areas that contemporary art rarely faces: artificial intelligence, LLM, tensors, NLP, low-level languages, Rust, C, closed systems, digital identity and technical power.
His gesture is neo-expressionist: raw material, acrylic, chalk, physical tension. His subject is cold, precise, almostclinical: the code, the machine, the body, dissociation, Europe losing its shape.
The artist deliberately fades away. No face, no biographical cult: only the work must strike.
Each piece arises from this friction between pictorial brutality and the computational world — violent, gentle, intellectual.
- More than 1,600 pieces sold
- Works collected in the United States and Europe
- Solo exhibition Generation Botox, Sofia, 2024
- Referenced value Akoun / ArtMajeur, 2026
