René Mels (1909-1977) - Composition abstraite gestuelle – Aquarelle, circa 1960






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Original edition watercolor by René Mels (1909–1977), titled Composition abstraite gestuelle – Aquarelle, circa 1960, signed with an RM monogram, 59 × 45.5 cm, created in 1960 in Belgium, with its original passe-partout and in good condition.
Description from the seller
René Mels (1909-1977) – Gestural Abstract Composition – Watercolor, circa 1960 – Monogram RM
René Mels (1909-1977)
Gestural Abstract Composition
Watercolor and wash on paper, circa 1960
Signature: Monogrammed “RM” at the bottom right.
Overall dimensions with the original mat:
59 × 45.5 cm
Sold with its original mat
Sold unframed
Condition: Good overall condition of the watercolor. Fresh colors, the medium and transparencies well preserved.
Small damage to one corner of the original mat (to note).
Description
Energetic watercolor by René Mels, executed around 1960, at the moment when his lyric abstraction becomes fully gestural.
The composition opposes two chromatic fields: a large blue-violet plane in the upper left, and a vast warm sheet of oranges, corals and pinks that invades the rest of the sheet.
Over these fluid swaths, Mels deploys a network of soft, black, gray and brown lines — arabesques, swirls, hooks, loops — that traverse the space like automatic writing.
Some more opaque, whitish or pearl-gray touches punctuate the rhythm. On the right, a denser dark mass anchors the composition.
The gesture is free but restrained: the lines intertwine without freezing, washes stay transparent, the paper breathes. The engraver’s experience is clearly felt: the same fluid writing, the same taste for the sign, rhythm and layering.
The work remains abstract, while evoking an organic movement — vines, calligraphy, breath.
This piece well illustrates Mels’s maturity in the 1960s: expressive chromaticism, spontaneity of the wash, balance between space construction and freedom of line. It sits in the continuity of his investigations where engraving nourishes an ever more fluid and sensory painting.
Biography
René Mels (René Meulemans, 1909-1977) trained at the Universities of Leuven and Brussels, then at La Cambre.
After an expressionist start influenced by Permeke, he moved from a 1947 towards abstraction. An active member of the Young Belgian Painting (exhibitions 1947-1948 at the Palace of Fine Arts in Brussels), he joined the group Art Abstrait in 1952 and co-founded Cap d’encre in 1963.
His work is characterized by a concern for construction, a flexible writing style and expressive chromaticism. In 1950, a state grant enabled him to work at Stanley William Hayter’s Atelier 17 in Paris.
His watercolors, engravings and paintings are represented in numerous public Belgian and international collections, notably at the Royal Museums of Fine Arts of Belgium.
Seller's Story
René Mels (1909-1977) – Gestural Abstract Composition – Watercolor, circa 1960 – Monogram RM
René Mels (1909-1977)
Gestural Abstract Composition
Watercolor and wash on paper, circa 1960
Signature: Monogrammed “RM” at the bottom right.
Overall dimensions with the original mat:
59 × 45.5 cm
Sold with its original mat
Sold unframed
Condition: Good overall condition of the watercolor. Fresh colors, the medium and transparencies well preserved.
Small damage to one corner of the original mat (to note).
Description
Energetic watercolor by René Mels, executed around 1960, at the moment when his lyric abstraction becomes fully gestural.
The composition opposes two chromatic fields: a large blue-violet plane in the upper left, and a vast warm sheet of oranges, corals and pinks that invades the rest of the sheet.
Over these fluid swaths, Mels deploys a network of soft, black, gray and brown lines — arabesques, swirls, hooks, loops — that traverse the space like automatic writing.
Some more opaque, whitish or pearl-gray touches punctuate the rhythm. On the right, a denser dark mass anchors the composition.
The gesture is free but restrained: the lines intertwine without freezing, washes stay transparent, the paper breathes. The engraver’s experience is clearly felt: the same fluid writing, the same taste for the sign, rhythm and layering.
The work remains abstract, while evoking an organic movement — vines, calligraphy, breath.
This piece well illustrates Mels’s maturity in the 1960s: expressive chromaticism, spontaneity of the wash, balance between space construction and freedom of line. It sits in the continuity of his investigations where engraving nourishes an ever more fluid and sensory painting.
Biography
René Mels (René Meulemans, 1909-1977) trained at the Universities of Leuven and Brussels, then at La Cambre.
After an expressionist start influenced by Permeke, he moved from a 1947 towards abstraction. An active member of the Young Belgian Painting (exhibitions 1947-1948 at the Palace of Fine Arts in Brussels), he joined the group Art Abstrait in 1952 and co-founded Cap d’encre in 1963.
His work is characterized by a concern for construction, a flexible writing style and expressive chromaticism. In 1950, a state grant enabled him to work at Stanley William Hayter’s Atelier 17 in Paris.
His watercolors, engravings and paintings are represented in numerous public Belgian and international collections, notably at the Royal Museums of Fine Arts of Belgium.
