Floris Arntzenius (1864–1925) - Haven






Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
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Haven, a 19th‑century impressionist watercolour by Floris Arntzenius (1864–1925) from the Netherlands, signed, in good condition, framed, with the frame measuring 70 × 54 cm and the image 52 × 35.5 cm, sold by Galerie.
Description from the seller
Havengezicht of Pieter Florentius Nicolaas Jacobus ‘Floris’ Arntzenius (1864–1925), with anchored sailing ships and fishing vessels. In the foreground lies a darkly painted boat labeled IJM 54, referring to IJmuiden. Probably in the port of Scheveningen.
The composition is dominated by the tall masts and the fine network of rigging, which run as strong verticals through the light sky. In contrast, there are wide horizontal zones of quay, ships, and water. Arntzenius works with a loose, direct brushwork and transparent washes, alternated with more distinctly dark areas. Bright blue and turquoise in the sky and water contrast with brown, black, and ochre hulls; a few red accents enliven the central plane. The greenish reflection beneath the bow of the foremost ship enhances depth and gives the water a striking color effect.
The work measures 52 × 35.5 cm and is signed in the lower right ‘Fl. Arntzenius’. Dimensions including frame: 70 × 54 cm.
Biography of the artist
Floris Arntzenius (Surabaya, 1864 – The Hague, 1925) belongs to the Dutch painters who around 1900 captured modern urban and coastal life in a loose, impressionistic visual language. He studied at the Rijksakademie in Amsterdam, during the period of, among others, George Hendrik Breitner, Isaac Israels, and Willem Witsen, and continued his training at the academy in Antwerp. From 1892 he lived and worked in The Hague.
Arntzenius became best known for his atmospheric Hague cityscapes, but he also painted and sketched beaches, harbors, landscapes, genre scenes, and portraits. Characteristic are his vigorous brushwork, feeling for changing weather conditions, and a subtle combination of muted tones with bright color accents. Works by Arntzenius are in the collection of Kunstmuseum Den Haag, including cityscapes and watercolors. His oeuvre has been extensively treated by Dolf Welling in the monograph Floris Arntzenius (The Hague, 1992).
Seller's Story
Havengezicht of Pieter Florentius Nicolaas Jacobus ‘Floris’ Arntzenius (1864–1925), with anchored sailing ships and fishing vessels. In the foreground lies a darkly painted boat labeled IJM 54, referring to IJmuiden. Probably in the port of Scheveningen.
The composition is dominated by the tall masts and the fine network of rigging, which run as strong verticals through the light sky. In contrast, there are wide horizontal zones of quay, ships, and water. Arntzenius works with a loose, direct brushwork and transparent washes, alternated with more distinctly dark areas. Bright blue and turquoise in the sky and water contrast with brown, black, and ochre hulls; a few red accents enliven the central plane. The greenish reflection beneath the bow of the foremost ship enhances depth and gives the water a striking color effect.
The work measures 52 × 35.5 cm and is signed in the lower right ‘Fl. Arntzenius’. Dimensions including frame: 70 × 54 cm.
Biography of the artist
Floris Arntzenius (Surabaya, 1864 – The Hague, 1925) belongs to the Dutch painters who around 1900 captured modern urban and coastal life in a loose, impressionistic visual language. He studied at the Rijksakademie in Amsterdam, during the period of, among others, George Hendrik Breitner, Isaac Israels, and Willem Witsen, and continued his training at the academy in Antwerp. From 1892 he lived and worked in The Hague.
Arntzenius became best known for his atmospheric Hague cityscapes, but he also painted and sketched beaches, harbors, landscapes, genre scenes, and portraits. Characteristic are his vigorous brushwork, feeling for changing weather conditions, and a subtle combination of muted tones with bright color accents. Works by Arntzenius are in the collection of Kunstmuseum Den Haag, including cityscapes and watercolors. His oeuvre has been extensively treated by Dolf Welling in the monograph Floris Arntzenius (The Hague, 1992).
