Roger Muhl (1929-2008) - Provence : Les mamelons d'alentour étaient couverts de thym





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Lithograph by Roger Muhl titled Provence : Les mamelons d'alentour étaient couverts de thym, on 42 x 32 cm vellum paper, numbered and signed by the artist, 1986, limited edition, printed at Mourlot atelier in Paris, France, in excellent condition, sold by Galerie.
Description from the seller
Roger MUHL: Provence: The surrounding mamelons were covered with thyme.
Original lithograph on vellum paper of a size 42 x 32 cm.
Numbered and signed in pencil by the artist.
Printed on Mourlot workshop presses, Paris.
Work in perfect condition, never been framed.
We guarantee meticulous packaging, international tracking, insurance, and express shipments for all our deliveries.
Roger Mühl, born December 20, 1929 in Strasbourg, died April 4, 2008 in Mougins, is a French artist-painter, draftsman and sculptor.
He entered the École nationale supérieure des arts décoratifs in Strasbourg from which he left in 1948 to go to the Belfort region. He settled in 1954 at Montreux-Château and gave his first Paris exhibition at the Galerie de Paris in 1960. Then in Geneva, London, Milan, Dallas, Cologne, Stuttgart, Tokyo, Kyoto, Belfort and New York. He mainly worked on the Côte d'Azur. He was regarded as a figurative painter, a painter of Provence and its landscapes, above all a painter of light and atmosphere; the impasto he used served his technique to establish the perspectives suggested by color alone.
Seller's Story
Roger MUHL: Provence: The surrounding mamelons were covered with thyme.
Original lithograph on vellum paper of a size 42 x 32 cm.
Numbered and signed in pencil by the artist.
Printed on Mourlot workshop presses, Paris.
Work in perfect condition, never been framed.
We guarantee meticulous packaging, international tracking, insurance, and express shipments for all our deliveries.
Roger Mühl, born December 20, 1929 in Strasbourg, died April 4, 2008 in Mougins, is a French artist-painter, draftsman and sculptor.
He entered the École nationale supérieure des arts décoratifs in Strasbourg from which he left in 1948 to go to the Belfort region. He settled in 1954 at Montreux-Château and gave his first Paris exhibition at the Galerie de Paris in 1960. Then in Geneva, London, Milan, Dallas, Cologne, Stuttgart, Tokyo, Kyoto, Belfort and New York. He mainly worked on the Côte d'Azur. He was regarded as a figurative painter, a painter of Provence and its landscapes, above all a painter of light and atmosphere; the impasto he used served his technique to establish the perspectives suggested by color alone.

