Hans Habraken (1946) - Bessen in een schaal






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Hans Habraken (1946), an original oil painting on panel titled 'Bessen in een schaal' depicting a still life in Realism, with a 10 x 15 cm panel and a 14 x 19 cm frame, signed and sold with frame, dated from 2020+, sold by Kunstagent, in good condition.
Description from the seller
Berries in a bowl. Hans Habraken.
Oil on panel.
Panel dimensions 10 cm x 15 cm.
Frame dimensions 14 cm x 19 cm.
Frame width 3.5 cm.
We are an art dealer from Kerkdriel.
The painting will be very well packed.
Johannes Habraken, March 11, 1946. From a young age he showed interest in drawing and painting. Ultimately, his love for painting strongly comes to the fore in his works, which he paints to perfection. This is due to his powerful brushwork, applied with a loose hand, but with warm tones on panel. His very own color palette is composed mainly of warm tones. This also shows a long experience and great craftsmanship. His style and professionalism are often compared with that of the "old masters", yet his work undeniably has a completely own identity. He selects a variety of subjects: landscapes, still lifes, marine scenes, and portraits. His preference lies with still lifes, in a style that captivates many observers.
Berries in a bowl. Hans Habraken.
Oil on panel.
Panel dimensions 10 cm x 15 cm.
Frame dimensions 14 cm x 19 cm.
Frame width 3.5 cm.
We are an art dealer from Kerkdriel.
The painting will be very well packed.
Johannes Habraken, March 11, 1946. From a young age he showed interest in drawing and painting. Ultimately, his love for painting strongly comes to the fore in his works, which he paints to perfection. This is due to his powerful brushwork, applied with a loose hand, but with warm tones on panel. His very own color palette is composed mainly of warm tones. This also shows a long experience and great craftsmanship. His style and professionalism are often compared with that of the "old masters", yet his work undeniably has a completely own identity. He selects a variety of subjects: landscapes, still lifes, marine scenes, and portraits. His preference lies with still lifes, in a style that captivates many observers.
