Antoni Miro (1944) - L´ Ocell
04
days
14
hours
07
minutes
28
seconds
 | €60 | |
|---|---|---|
| €55 | |
 | €50 | |
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 142645 reviews
Rated Excellent on Trustpilot.
Bronze sculpture by Antoni Miró (Spain), titled L´ Ocell, dated 1998, 21 × 14 cm, signed and in good condition.
AI-assisted summary
Description from the seller
A.Miró
Sculpture, signed
Referenced in the cover of the book Antologia (book not included)., 100% authentic sculpture
The sculpture is in very good condition, please check all the photos before bid please, the book of the photos is not included
ca 21x14cm.
His work, situated within social realism, begins in figurative Expressionism as a denunciation of human suffering. In the late 1960s, his interest in the social issue led him to a neofiguratism, with a message of criticism and denunciation that, in the seventies, he was fully identified with the Chronicle of the Realistic Art movement, inserted within the international currents of the Pop art and realism, taking as a starting point the propaganda images of industrial society and the linguistic codes used by the mass media.
If his painting is a painting of awareness, it is no less true that in his creative process there is an outstanding degree of "awareness of painting", in which various experiences, techniques, strategies and resources come together to form His particular plastic language, which is not exhausted as a "medium" for ideological communication, but in common agreement constitutes a record of a clear aesthetic communication.
The different periods or series of his work as "Les nues" (1964), "La fam" (1966), "Los canguros" (1967), "Experimentaciones y Vietnam" (1968), "El hombre" (1970) , "Black America" (1972), "The man today" (1973), "The dollar" (1973-80), "Paint painting" (1980-90) and "Vivace" since 1991, reject all kinds of oppression and cry for freedom and for human solidarity.
A.Miró
Sculpture, signed
Referenced in the cover of the book Antologia (book not included)., 100% authentic sculpture
The sculpture is in very good condition, please check all the photos before bid please, the book of the photos is not included
ca 21x14cm.
His work, situated within social realism, begins in figurative Expressionism as a denunciation of human suffering. In the late 1960s, his interest in the social issue led him to a neofiguratism, with a message of criticism and denunciation that, in the seventies, he was fully identified with the Chronicle of the Realistic Art movement, inserted within the international currents of the Pop art and realism, taking as a starting point the propaganda images of industrial society and the linguistic codes used by the mass media.
If his painting is a painting of awareness, it is no less true that in his creative process there is an outstanding degree of "awareness of painting", in which various experiences, techniques, strategies and resources come together to form His particular plastic language, which is not exhausted as a "medium" for ideological communication, but in common agreement constitutes a record of a clear aesthetic communication.
The different periods or series of his work as "Les nues" (1964), "La fam" (1966), "Los canguros" (1967), "Experimentaciones y Vietnam" (1968), "El hombre" (1970) , "Black America" (1972), "The man today" (1973), "The dollar" (1973-80), "Paint painting" (1980-90) and "Vivace" since 1991, reject all kinds of oppression and cry for freedom and for human solidarity.
Details
Era
1900-2000
Country of origin
Spain
Material
Bronze
Artist
Antoni Miro (1944)
Title of artwork
L´ Ocell
Signature
Signed
Edition
unknown
Year
1998
Condition
Good condition
Height
21 cm
Width
14 cm
Depth
0 cm
