Franco Cisternino (1969) - Pupa






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Franco Cisternino (born 1969), Pupa, mixed media on paper, limited edition 01/30, year 2019, 60 × 43 cm, multicolour, hand-signed on front and back, Italy, sold by Galleria, in excellent condition.
Description from the seller
COMBINED SHIPPING; If you buy more works in the same Auction you pay ONLY one shipping
Franco Cisternino, born in Foggia (Italy) on July 21, 1969
0pera signed by hand on the Front and on the Back
giclée technique on 100% cotton paper of 360 g/m²,
with Certificate of Authenticity
note; the available work may vary in numbering from No. 1 to 30
VISIT also our online AUCTIONS platform with open offers on “delauretisart”
- The works by Cisternino in the painting cycle “Donna” are a scenographic and symbolic representation of the woman, seen both through the eyes of an artist and through the eyes of a man.
With these paintings we want to represent the woman beyond society’s stereotypes: her essence, her humanity, her fragility and, at the same time, her strength.
The choice of color, in its monochromatic, slightly grayish tone, is intended to give a sense of mystery, experience and/or memory.
The veil that envelops the woman has multiple meanings: the part that delicately wraps her body is pink, almost merging with her own skin; while the remaining part of it aims to represent, through its tension, the influence of the social stereotype of a strong, emancipated, beautiful and slim woman.
The title of the work aims to help the understanding of it by using adjectives or names linked to its intention to humanize it and to grasp its essence.
The works of the painting cycle “Donna” are a scenographic and symbolic representation of the woman, seen both through the eyes of an artist and through the eyes of a man.
With these paintings we want to represent the woman beyond society’s stereotypes: her essence, her humanity, her fragility and, at the same time, her strength.
The choice of color, in its monochromatic, slightly grayish tone, is intended to give a sense of mystery, experience and/or memory.
The veil that envelops the woman has multiple meanings: the part that delicately wraps her body is pink, almost merging with her own skin; while the remaining part of it aims to represent, through its tension, the influence of the social stereotype of a strong, emancipated, beautiful and slim woman.
The title of the work aims to help understanding of it by using adjectives or names linked to its intention to humanize it and to grasp its essence.
Seller's Story
COMBINED SHIPPING; If you buy more works in the same Auction you pay ONLY one shipping
Franco Cisternino, born in Foggia (Italy) on July 21, 1969
0pera signed by hand on the Front and on the Back
giclée technique on 100% cotton paper of 360 g/m²,
with Certificate of Authenticity
note; the available work may vary in numbering from No. 1 to 30
VISIT also our online AUCTIONS platform with open offers on “delauretisart”
- The works by Cisternino in the painting cycle “Donna” are a scenographic and symbolic representation of the woman, seen both through the eyes of an artist and through the eyes of a man.
With these paintings we want to represent the woman beyond society’s stereotypes: her essence, her humanity, her fragility and, at the same time, her strength.
The choice of color, in its monochromatic, slightly grayish tone, is intended to give a sense of mystery, experience and/or memory.
The veil that envelops the woman has multiple meanings: the part that delicately wraps her body is pink, almost merging with her own skin; while the remaining part of it aims to represent, through its tension, the influence of the social stereotype of a strong, emancipated, beautiful and slim woman.
The title of the work aims to help the understanding of it by using adjectives or names linked to its intention to humanize it and to grasp its essence.
The works of the painting cycle “Donna” are a scenographic and symbolic representation of the woman, seen both through the eyes of an artist and through the eyes of a man.
With these paintings we want to represent the woman beyond society’s stereotypes: her essence, her humanity, her fragility and, at the same time, her strength.
The choice of color, in its monochromatic, slightly grayish tone, is intended to give a sense of mystery, experience and/or memory.
The veil that envelops the woman has multiple meanings: the part that delicately wraps her body is pink, almost merging with her own skin; while the remaining part of it aims to represent, through its tension, the influence of the social stereotype of a strong, emancipated, beautiful and slim woman.
The title of the work aims to help understanding of it by using adjectives or names linked to its intention to humanize it and to grasp its essence.
