Jurij Dvoretskij (1927-1991) - Bambino






Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
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Description from the seller
Jurij Dvoretskij - 20th Century
“Child”
Oil on cardboard - 45 x 32 cm in frame
30 x 18 cm painted
Russian-Soviet painting of the 20th century
An interesting early work by Jurij Dvoretskij, realized in 1947, depicting a young boy seated, caught in a moment of natural introspection.
The painting stands out for its immediate and vigorous painting, built through rapid and textural brushstrokes. The boy’s face constitutes the emotional core of the composition: the eyes turned slightly to the side and the absorbed expression confer considerable psychological intensity to the portrait.
The palette alternates warm tones of flesh, obtained through overlays of pink, ochre and browns, with the dark tones of the jacket, brightened by the intense blue of the shirt. The deliberately concise stroke and some parts left in a sketch-like state emphasize the spontaneous character of the execution and focus attention on the young man’s face.
The work belongs to the Russian and Soviet figurative culture of the post-war period and represents an interesting testimony to the artist’s painting research in the field of portraiture.
Provenance and documentation
Of particular note is the provenance from the Galleria d’Arte Cinquantasei of Bologna, an important exhibition venue founded in 1979 and subsequently involved in a significant program of study and promotion of Russian painting and of the former Soviet Union.
The painting is accompanied by an authenticity certificate by Oleg Kolossov, in which the work, indicated with the title Child, technique oil on cardboard and dimensions 30 × 18 cm, is declared authentic as by Jurij Dvoretskij and directly purchased by the artist.
Another element of interest is the link with the cultural and editorial project “Not just Lenin – Life and works of Russian painters from the October Revolution to the fall of the Berlin Wall,” promoted by the Galleria d’Arte Cinquantasei. Dvoretskij is indeed listed among the artists specifically treated in the first volume of the work, published in Bologna in 1994.
Collecting and investment interest
The work presents particular collecting interest and potential investment appeal, especially considering the set of elements accompanying its history: the execution dating from 1947, the painting quality, the authenticity documentation, the qualified provenance and the artist’s inclusion in a specific historical-editorial project dedicated to Russian and Soviet painting.
In a market still relatively unexplored by Italian collectors, such as 20th-century Soviet painting, works that are historical and accompanied by documented provenance can represent interesting opportunities for collectors who aim not only for aesthetic quality but also for the search for authors and movements likely to be rediscovered critically and commercially in the future.
Provenance from the Galleria d’Arte Cinquantasei of Bologna and the authenticity certificate by Oleg Kolossov constitute, in this sense, qualifying elements of the work’s collecting history and enhance its documentary and commercial value.
Work accompanied by authenticity certificate and provenance documentation.
General conditions: signs of age and defects consistent with the period of the work
With certificate of sale and legitimate provenance
The frame is presented as a gift, therefore complaints about possible damage during shipment will not be considered.
Seller's Story
Jurij Dvoretskij - 20th Century
“Child”
Oil on cardboard - 45 x 32 cm in frame
30 x 18 cm painted
Russian-Soviet painting of the 20th century
An interesting early work by Jurij Dvoretskij, realized in 1947, depicting a young boy seated, caught in a moment of natural introspection.
The painting stands out for its immediate and vigorous painting, built through rapid and textural brushstrokes. The boy’s face constitutes the emotional core of the composition: the eyes turned slightly to the side and the absorbed expression confer considerable psychological intensity to the portrait.
The palette alternates warm tones of flesh, obtained through overlays of pink, ochre and browns, with the dark tones of the jacket, brightened by the intense blue of the shirt. The deliberately concise stroke and some parts left in a sketch-like state emphasize the spontaneous character of the execution and focus attention on the young man’s face.
The work belongs to the Russian and Soviet figurative culture of the post-war period and represents an interesting testimony to the artist’s painting research in the field of portraiture.
Provenance and documentation
Of particular note is the provenance from the Galleria d’Arte Cinquantasei of Bologna, an important exhibition venue founded in 1979 and subsequently involved in a significant program of study and promotion of Russian painting and of the former Soviet Union.
The painting is accompanied by an authenticity certificate by Oleg Kolossov, in which the work, indicated with the title Child, technique oil on cardboard and dimensions 30 × 18 cm, is declared authentic as by Jurij Dvoretskij and directly purchased by the artist.
Another element of interest is the link with the cultural and editorial project “Not just Lenin – Life and works of Russian painters from the October Revolution to the fall of the Berlin Wall,” promoted by the Galleria d’Arte Cinquantasei. Dvoretskij is indeed listed among the artists specifically treated in the first volume of the work, published in Bologna in 1994.
Collecting and investment interest
The work presents particular collecting interest and potential investment appeal, especially considering the set of elements accompanying its history: the execution dating from 1947, the painting quality, the authenticity documentation, the qualified provenance and the artist’s inclusion in a specific historical-editorial project dedicated to Russian and Soviet painting.
In a market still relatively unexplored by Italian collectors, such as 20th-century Soviet painting, works that are historical and accompanied by documented provenance can represent interesting opportunities for collectors who aim not only for aesthetic quality but also for the search for authors and movements likely to be rediscovered critically and commercially in the future.
Provenance from the Galleria d’Arte Cinquantasei of Bologna and the authenticity certificate by Oleg Kolossov constitute, in this sense, qualifying elements of the work’s collecting history and enhance its documentary and commercial value.
Work accompanied by authenticity certificate and provenance documentation.
General conditions: signs of age and defects consistent with the period of the work
With certificate of sale and legitimate provenance
The frame is presented as a gift, therefore complaints about possible damage during shipment will not be considered.
