Elmyr De Hory (1906-1976) - Retrato






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
€55 | ||
|---|---|---|
€50 |
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 142358 reviews
Rated Excellent on Trustpilot.
Description from the seller
Elmyr de Hory (1906–1976)
BOTH SIDES OF THE PAPER ARE PAINTED
Hand-signed.
Original work by Elmyr de Hory, one of the most fascinating artists of the 20th century. The drawing depicts an elegant standing female nude, constructed through a delicate play of light and shadow that models the body's volume with extraordinary economy of means.
The composition reveals the artist's deep academic training and his admiration for French painting of the first half of the 20th century. The stylization of the neck, the serenity of the face, and the monumentality of the figure evoke the influence of Amedeo Modigliani, while the free treatment of charcoal recalls the tradition of Henri Matisse and the Paris School.
Elmyr demonstrates in this work that, beyond his celebrated ability to recreate the styles of other artists, he possessed a solid personality as a draughtsman. The figure emerges from the paper through a subtle tonal modeling, where chiaroscuro takes absolute precedence and endows the composition with great sensitivity and elegance.
Hand-signed by the artist in the lower right corner.
Condition: Very good.
Elmyr de Hory (1906–1976)
BOTH SIDES OF THE PAPER ARE PAINTED
Hand-signed.
Original work by Elmyr de Hory, one of the most fascinating artists of the 20th century. The drawing depicts an elegant standing female nude, constructed through a delicate play of light and shadow that models the body's volume with extraordinary economy of means.
The composition reveals the artist's deep academic training and his admiration for French painting of the first half of the 20th century. The stylization of the neck, the serenity of the face, and the monumentality of the figure evoke the influence of Amedeo Modigliani, while the free treatment of charcoal recalls the tradition of Henri Matisse and the Paris School.
Elmyr demonstrates in this work that, beyond his celebrated ability to recreate the styles of other artists, he possessed a solid personality as a draughtsman. The figure emerges from the paper through a subtle tonal modeling, where chiaroscuro takes absolute precedence and endows the composition with great sensitivity and elegance.
Hand-signed by the artist in the lower right corner.
Condition: Very good.
