Luigi Rossanigo (1948) - Presenze






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Luigi Rossanigo (1948), Presenze, mixed media artwork from 2016, limited edition 1/1, framed, 32 cm high by 23 cm wide (32×23×2 cm with frame), hand-signed, Italy, good condition.
Description from the seller
(During this period I ship only within the European Union)
The proposed work is a raised metal plate (embossing handmade by me), artist's proof numbered 1/1, 30x21 cm painted in yellow + white - signed on the plate - with a frame 32x23x2 cm - a piece that suits all interiors.
The work will be carefully packaged and shipped within 3 days with an authentic signed photograph by the artist -- ready to hang or to rest on a surface --
Tracked and insured shipping - (unfortunately the photo never does it justice)
For those who love the innovations of the 20th century, refined in technique in the 2000s -- an intriguing and innovative work not to miss
…in the slow and steady unfolding of his research, Luigi Rossanigo has followed a particular artistic formation, characterized by varied experiments across different disciplines. From the early painting experiences where the subject was treated with direct reference to reality, the artist, in the first half of the 1970s, progressively approached an abstract conception of form, synthesized in a rapid and blunt gesturality. This informal interlude found its natural evolution in a surrealism lived with a highly personal introspective intention, among abnormal mystifications of the real, noted with the precision of an eighteenth-century traveler. While simultaneously cultivating a pleasure for precious jewelry art and approaching the sculptural environment of Carrara, the versatile artist felt the need to challenge himself in defining the volumetric form of the marble block, transferring onto it the three-dimensional interpretation of the work already imagined for the aureate ornament. This path led Rossanigo to modify the painting's structural layout, moving to the creation of tension structures and polymaterial compounds, a new dialectic in which the agreement between painting and sculpture took shape...
(During this period I ship only within the European Union)
The proposed work is a raised metal plate (embossing handmade by me), artist's proof numbered 1/1, 30x21 cm painted in yellow + white - signed on the plate - with a frame 32x23x2 cm - a piece that suits all interiors.
The work will be carefully packaged and shipped within 3 days with an authentic signed photograph by the artist -- ready to hang or to rest on a surface --
Tracked and insured shipping - (unfortunately the photo never does it justice)
For those who love the innovations of the 20th century, refined in technique in the 2000s -- an intriguing and innovative work not to miss
…in the slow and steady unfolding of his research, Luigi Rossanigo has followed a particular artistic formation, characterized by varied experiments across different disciplines. From the early painting experiences where the subject was treated with direct reference to reality, the artist, in the first half of the 1970s, progressively approached an abstract conception of form, synthesized in a rapid and blunt gesturality. This informal interlude found its natural evolution in a surrealism lived with a highly personal introspective intention, among abnormal mystifications of the real, noted with the precision of an eighteenth-century traveler. While simultaneously cultivating a pleasure for precious jewelry art and approaching the sculptural environment of Carrara, the versatile artist felt the need to challenge himself in defining the volumetric form of the marble block, transferring onto it the three-dimensional interpretation of the work already imagined for the aureate ornament. This path led Rossanigo to modify the painting's structural layout, moving to the creation of tension structures and polymaterial compounds, a new dialectic in which the agreement between painting and sculpture took shape...
