Camerapohoto Epoche/Vittorio Pavan - 48-Jeanne Moreau, Venezia Lido 1961
04
days
17
hours
02
minutes
16
seconds
Starting bid
€ 1
Reserve price not met
Expert
Selected by Elena Vaninetti
Has over ten years of experience in art, specialising in post-war photography and contemporary art.
Estimate € 300 - € 400
No bids placed
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 143856 reviews
Rated Excellent on Trustpilot.
Camerapohoto Epoche / Vittorio Pavan presents the digital pigment ink print titled “48-Jeanne Moreau, Venezia Lido 1961,” edition 01/30, signed with a stamp, on 310 g silk fiber baryta paper (image from a 6×6 cm negative).
AI-assisted summary
Description from the seller
Digital printing with pigment inks on baryta fiber silk paper, with a sheet 60x70 cm.
All images are taken from the original negatives, belonging to Vittorio Pavan's Cameraphoto Epoche Archive.
Print on 310g Silk fiber baryta paper. pigment inks. Paper 60x70 cm.
The image obtained from a 6×6 cm negative
Camera Epoche - Venice Historical Archive:
Three hundred thousand mostly unpublished black-and-white images: negatives on glass give way, as time passes, to 4 x 5 film sheets, then to 120 rolls during the Fifties replaced by 135 cartridges from the early 1970s on. Such is the content of the Archivio Cameraphoto Epoche archive in numbers. A quick glance at it makes us fall in love with long-gone faces, places and events whose strength still shines through each contact print and has now become history: movie stars and art/culture personalities, day and night views of Venice and the surrounding countryside, gossip, crime, sports and local news, artwork or print reproductions.
About Vittorio Pavan:
In 1972, at the age of 14, he was hired by Cameraphoto, the largest photojournalism agency in Venice, founded in 1946, contributing to the production of development and grayscale analogue press and the creation of photographic services for newspapers and weeklies, including “Il Corriere della Sera”, “La Stampa”, “Der Spiegel”, “Time” and “Life”.
In addition to photojournalism he still collaborates with La Biennale and with the Department of Culture for the realization of exhibition catalogs, including
Vasilij Kandinsky, Egon Schiele, Cagnaccio, Titian and El Greco.
In 1987 he took over the Agency.
He currently makes art photographs for books, collaborating with publishing houses such as Electa, Treccani, Biblos, Magnus. In addition to the reproduction of works of art (the latest major work the book "Emilio Vedova Sculptor" published by Skira), he performs analogue prints in black and white and fine art digital prints, for professionals and artists; among my clients include Araki, Fulvio Roiter, Giorgia Fiorio, David Hamilton, Danilo De Marchi.
In addition to the activity of photographer and printer, for about 5 years he has devoted himself to the enhancement and conservation of his historical archive, called "Archivio Cameraphoto Epoche" containing about 300,000 negatives from the post-war period to the 80s, whose negatives represent in various aspects the history of Venice and more.
Digital printing with pigment inks on baryta fiber silk paper, with a sheet 60x70 cm.
All images are taken from the original negatives, belonging to Vittorio Pavan's Cameraphoto Epoche Archive.
Print on 310g Silk fiber baryta paper. pigment inks. Paper 60x70 cm.
The image obtained from a 6×6 cm negative
Camera Epoche - Venice Historical Archive:
Three hundred thousand mostly unpublished black-and-white images: negatives on glass give way, as time passes, to 4 x 5 film sheets, then to 120 rolls during the Fifties replaced by 135 cartridges from the early 1970s on. Such is the content of the Archivio Cameraphoto Epoche archive in numbers. A quick glance at it makes us fall in love with long-gone faces, places and events whose strength still shines through each contact print and has now become history: movie stars and art/culture personalities, day and night views of Venice and the surrounding countryside, gossip, crime, sports and local news, artwork or print reproductions.
About Vittorio Pavan:
In 1972, at the age of 14, he was hired by Cameraphoto, the largest photojournalism agency in Venice, founded in 1946, contributing to the production of development and grayscale analogue press and the creation of photographic services for newspapers and weeklies, including “Il Corriere della Sera”, “La Stampa”, “Der Spiegel”, “Time” and “Life”.
In addition to photojournalism he still collaborates with La Biennale and with the Department of Culture for the realization of exhibition catalogs, including
Vasilij Kandinsky, Egon Schiele, Cagnaccio, Titian and El Greco.
In 1987 he took over the Agency.
He currently makes art photographs for books, collaborating with publishing houses such as Electa, Treccani, Biblos, Magnus. In addition to the reproduction of works of art (the latest major work the book "Emilio Vedova Sculptor" published by Skira), he performs analogue prints in black and white and fine art digital prints, for professionals and artists; among my clients include Araki, Fulvio Roiter, Giorgia Fiorio, David Hamilton, Danilo De Marchi.
In addition to the activity of photographer and printer, for about 5 years he has devoted himself to the enhancement and conservation of his historical archive, called "Archivio Cameraphoto Epoche" containing about 300,000 negatives from the post-war period to the 80s, whose negatives represent in various aspects the history of Venice and more.
Details
Artist
Camerapohoto Epoche/Vittorio Pavan
Sold by
Owner or reseller
Title of artwork
48-Jeanne Moreau, Venezia Lido 1961
Condition
Extremely fine
Technique
Digital print
Height
55 cm
Edition
01/30
Width
55 cm
Signature
Stamped
Genre
Photojournalism
Sold by
