Daniele Fissore (1947) - Pic Nic Queen





€34 | ||
|---|---|---|
€31 | ||
€28 | ||
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 142358 reviews
Rated Excellent on Trustpilot.
Daniele Fissore, Pic Nic Queen, a 2008 limited edition serigraphy in the hyperrealist style, 76.5 x 118 cm, produced in Italy for Studio Fornaresio with a handmade signature and excellent condition, sold by Galleria and accompanied by an authenticity certificate on an Archivio Fornaresio photograph.
Description from the seller
Screen print with over 25 color passes, produced by Arte 3 of Serighelli in Milan.
The publisher asked the artist to design a work that would have an autonomous meaning even when viewed in sections. In the image shown above, there is also the setting of the complete work.
Studio Fornaresio Edition
Certificate of authenticity on a photograph from the Fornaresio Archive
In pristine condition.
The number of the shipped copy may differ from the one published
Daniele Fissore (Savigliano 1947 – Savigliano 2017) begins his artistic career as a self-taught artist. In 1975 he participated in the X Quadriennale of Rome and in 1976 in the Milan Biennale of Drawing. A constant evolution of his early painting themes (see the 'Phone Booths', the 'Oppositions', the 'Reconnaissances'), explored through a thorough analysis with strong photographic inspiration, leads him to the human figure and portrait.
Seller's Story
Screen print with over 25 color passes, produced by Arte 3 of Serighelli in Milan.
The publisher asked the artist to design a work that would have an autonomous meaning even when viewed in sections. In the image shown above, there is also the setting of the complete work.
Studio Fornaresio Edition
Certificate of authenticity on a photograph from the Fornaresio Archive
In pristine condition.
The number of the shipped copy may differ from the one published
Daniele Fissore (Savigliano 1947 – Savigliano 2017) begins his artistic career as a self-taught artist. In 1975 he participated in the X Quadriennale of Rome and in 1976 in the Milan Biennale of Drawing. A constant evolution of his early painting themes (see the 'Phone Booths', the 'Oppositions', the 'Reconnaissances'), explored through a thorough analysis with strong photographic inspiration, leads him to the human figure and portrait.

