0xec6d0 (XX-XXI) - Patrick Bateman - XXL






Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.
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Patrick Bateman - XXL is a one-off original work by the anonymous French artist 0xec6d0, signed on the back and dated, with a certificate of authenticity, executed in mixed media and pastel, measuring 105 × 220 cm (approximately 105 × 210 cm when mounted, from 2026) and sold direct from the artist.
Description from the seller
Dimensions: 105 × 220 cm
Approximately 100 × 210 cm when mounted on a frame.
Unique piece, signed and dated on the back.
Certificate of authenticity included.
▣ 0xec6d0 — outsider art and the machine
No face.
0xec6d0 is a French anonymous artist, founder of New Brutalism. His work explores the zones that contemporary art rarely faces: artificial intelligence, LLMs, tensors, NLP, low-level languages, Rust, C, closed systems, digital identity, and technical power.
His gesture is neo-expressionist: raw material, acrylic, chalk, physical tension. His subject is cold, precise, almost clinical: the code, the machine, the body, dissociation, Europe losing shape.
The artist deliberately fades away. No face, no biographical cult: only the work must strike.
Each piece arises from this friction between painterly brutality and the computational world — violent, soft, intellectual.
- More than 1,600 pieces sold
- Works collected in the United States and Europe
- Solo show Generación Botox, Sofia, 2024
- Reference value Akoun / ArtMajeur, 2026
Seller's Story
Dimensions: 105 × 220 cm
Approximately 100 × 210 cm when mounted on a frame.
Unique piece, signed and dated on the back.
Certificate of authenticity included.
▣ 0xec6d0 — outsider art and the machine
No face.
0xec6d0 is a French anonymous artist, founder of New Brutalism. His work explores the zones that contemporary art rarely faces: artificial intelligence, LLMs, tensors, NLP, low-level languages, Rust, C, closed systems, digital identity, and technical power.
His gesture is neo-expressionist: raw material, acrylic, chalk, physical tension. His subject is cold, precise, almost clinical: the code, the machine, the body, dissociation, Europe losing shape.
The artist deliberately fades away. No face, no biographical cult: only the work must strike.
Each piece arises from this friction between painterly brutality and the computational world — violent, soft, intellectual.
- More than 1,600 pieces sold
- Works collected in the United States and Europe
- Solo show Generación Botox, Sofia, 2024
- Reference value Akoun / ArtMajeur, 2026
