Stefanie Schneider - Dashboard Palm Trees (Sidewinder)






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Description from the seller
Palm Tree Dashboard (Sidewinder)
Edition 4/10,
22x20cm.
Archival C-Print, based on the original Polaroid.
Excellent condition.
Signature label and Certificate.
Artist inventory #3031.23.
Not mounted.
This piece has to be produced and ships either from Germany or USA depending on your location. This means no import taxes for the US or EU.
Sidewinder -
private history turned into an intimate mythology of elemental fantasies where reality is perceived through a veil of psychedelic memories and unconscious projections. such is a collection of passions and dreams, an uncanny diary of ephemeral narratives and mental intensities in Stefanie Schneider’s painterly photographs where subjectivity of an ontological doubt uses a poetics of pastische as a vehicle for an intertextual journey towards the truth and the authenticity of primary emotions. here time is immersed in a nostalgic suspense of oneiric dimension, a sort of ambiguous coma of silence and comfort, and open space embraces a psychotic landscape of solitude and accidental pleasure. fetishisized surface of extreme feelings gives a stage for an unsolicited promise of unconditional love and unlimited freedom, a promise framed by sensual tension between fulfillment and expectation.
Adam Budak, Kunsthaus Graz, Oct 2005
Palm Tree Dashboard (Sidewinder)
Edition 4/10,
22x20cm.
Archival C-Print, based on the original Polaroid.
Excellent condition.
Signature label and Certificate.
Artist inventory #3031.23.
Not mounted.
This piece has to be produced and ships either from Germany or USA depending on your location. This means no import taxes for the US or EU.
Sidewinder -
private history turned into an intimate mythology of elemental fantasies where reality is perceived through a veil of psychedelic memories and unconscious projections. such is a collection of passions and dreams, an uncanny diary of ephemeral narratives and mental intensities in Stefanie Schneider’s painterly photographs where subjectivity of an ontological doubt uses a poetics of pastische as a vehicle for an intertextual journey towards the truth and the authenticity of primary emotions. here time is immersed in a nostalgic suspense of oneiric dimension, a sort of ambiguous coma of silence and comfort, and open space embraces a psychotic landscape of solitude and accidental pleasure. fetishisized surface of extreme feelings gives a stage for an unsolicited promise of unconditional love and unlimited freedom, a promise framed by sensual tension between fulfillment and expectation.
Adam Budak, Kunsthaus Graz, Oct 2005
