Sanlé Sory (1943–2023) - Funki Man - 1974






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Sory Sanlé's Funki Man - 1974, a 50 × 40 cm gelatin silver bromide print dating from 1974, hand-signed and in SUP condition.
Description from the seller
Stamped and signed.
Sory Sanlé is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Upper Volta.
Ibrahima Sanlé Sory arrived in Bobo-Dioulasso in 1957. Having become a journalist and photographer, he also creates sleeve illustrations for records.
He opened his Volta Photo studio in 1962, as his country gained independence. He buys a Rolleiflex 6×6, and begins by taking ID photos and photographs of road accidents for the local police.
Rapidly, he gains notoriety in Bobo-Dioulasso, which was then the cultural and economic capital of the former Haute-Volta, and where young Africans “hungry for modernity” come to “have their portrait taken.”
Completed between 1960 and 1985, his photographic work “testifies to the happiness of a regained freedom and to a unique social and cultural effervescence.”
Exhibitions
2015: African Folk Art, Regional Fund for Contemporary Art in Bordeaux.
2015: Encountering African Photography, Mérignac Media Library.
2018: Retrospective, Art Institute of Chicago.
2020: Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020: Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photograph accompanied by a certificate of authenticity.
Seller's Story
Stamped and signed.
Sory Sanlé is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Upper Volta.
Ibrahima Sanlé Sory arrived in Bobo-Dioulasso in 1957. Having become a journalist and photographer, he also creates sleeve illustrations for records.
He opened his Volta Photo studio in 1962, as his country gained independence. He buys a Rolleiflex 6×6, and begins by taking ID photos and photographs of road accidents for the local police.
Rapidly, he gains notoriety in Bobo-Dioulasso, which was then the cultural and economic capital of the former Haute-Volta, and where young Africans “hungry for modernity” come to “have their portrait taken.”
Completed between 1960 and 1985, his photographic work “testifies to the happiness of a regained freedom and to a unique social and cultural effervescence.”
Exhibitions
2015: African Folk Art, Regional Fund for Contemporary Art in Bordeaux.
2015: Encountering African Photography, Mérignac Media Library.
2018: Retrospective, Art Institute of Chicago.
2020: Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020: Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photograph accompanied by a certificate of authenticity.
