Francisco De Goya (1746-1828) - La Tauromaquia Blatt #7: Origin of the harpoon or banderillas





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Francisco de GOYA, La Tauromaquia Blatt #7: Origin of the harpoon or banderillas, 1923, Spain, limited edition, no. 178, aquatint and etching, sheet size 360 x 490 mm, excellent condition.
Description from the seller
Francisco de GOYA (1746-1828)
La Tauromachie Sheet #7 Origin of the harpoon or banderillas
Etching, Aquatint
Sheet size: 360 x 490 mm
Image size: 201 x 315 mm
La Tauromaquia is the third major graphic cycle by Goya, created between 1814 and 1816, and illustrates the history of bullfighting in Spain. The first of a total of seven editions appeared in 1816, initially with 33 sheets; seven additional sheets were added in later editions.
Sheet #24ßß7 was produced in outstanding quality in 1923 as a copperplate print (a total of 43 copperplate prints) in the Hugo Schmidt Verlag (Munich) by Hugo Kehrer. Only 500 copies were issued.
The sheet belongs to the numbered edition No. 178 (see photo). Text pages with proof of the etching’s provenance are supplied as a copy with shipment.
Goya’s masterful graphic realization of his fantasies shows, with Sheet #7, the origin of the banderillas, through the use of the Moors in bullfighting.
Francisco de GOYA (1746-1828)
La Tauromachie Sheet #7 Origin of the harpoon or banderillas
Etching, Aquatint
Sheet size: 360 x 490 mm
Image size: 201 x 315 mm
La Tauromaquia is the third major graphic cycle by Goya, created between 1814 and 1816, and illustrates the history of bullfighting in Spain. The first of a total of seven editions appeared in 1816, initially with 33 sheets; seven additional sheets were added in later editions.
Sheet #24ßß7 was produced in outstanding quality in 1923 as a copperplate print (a total of 43 copperplate prints) in the Hugo Schmidt Verlag (Munich) by Hugo Kehrer. Only 500 copies were issued.
The sheet belongs to the numbered edition No. 178 (see photo). Text pages with proof of the etching’s provenance are supplied as a copy with shipment.
Goya’s masterful graphic realization of his fantasies shows, with Sheet #7, the origin of the banderillas, through the use of the Moors in bullfighting.

