Luigi Veronesi (1908-1998) - Fotogrammi






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Luigi Veronesi, Fotogrammi, silver gelatine print from 1978, 33 × 28 cm, signed and in good condition.
Description from the seller
Extraordinary photograph by maestro Luigi Veronesi, 33 x 28, mounted with matte board
acid-free 45.5 x 64.5 cm. Printed by Mario Parodi in his Genoa workshop, the photograph is in excellent condition, with very light damp spots on the sheet that supports the print, while the matte board is perfect. For refined collectors.
Luigi Veronesi (1908-1998), Milanese, a central figure of Italian abstraction. He lived in the city of Milan the creative ferment of the thirties, first entering with figurative photographic works the Gallery of the Milione, a decisive center for the cultural, artistic, and promotional aspects of the most promising artists of those years. He thus moved toward abstraction in the early thirties, joining the 1935 "Mostra collettiva d'arte astratta" in Turin at the laboratories of Felice Casorati and Enrico Paolucci. As early as 1934 he joined the Paris group Abstraction-Creation, actively engaging with German Bauhaus. From the forties he ventured into experimenting with film technique, creating as many as 6 abstract films, of which today only some fragments remain unprojectable. The experimentation continued in the following years; the last abstract film is from 1980. A versatile artist, he was also interested in music and screenwriting; his painting activity continued until his death in Milan in 1998.
Extraordinary photograph by maestro Luigi Veronesi, 33 x 28, mounted with matte board
acid-free 45.5 x 64.5 cm. Printed by Mario Parodi in his Genoa workshop, the photograph is in excellent condition, with very light damp spots on the sheet that supports the print, while the matte board is perfect. For refined collectors.
Luigi Veronesi (1908-1998), Milanese, a central figure of Italian abstraction. He lived in the city of Milan the creative ferment of the thirties, first entering with figurative photographic works the Gallery of the Milione, a decisive center for the cultural, artistic, and promotional aspects of the most promising artists of those years. He thus moved toward abstraction in the early thirties, joining the 1935 "Mostra collettiva d'arte astratta" in Turin at the laboratories of Felice Casorati and Enrico Paolucci. As early as 1934 he joined the Paris group Abstraction-Creation, actively engaging with German Bauhaus. From the forties he ventured into experimenting with film technique, creating as many as 6 abstract films, of which today only some fragments remain unprojectable. The experimentation continued in the following years; the last abstract film is from 1980. A versatile artist, he was also interested in music and screenwriting; his painting activity continued until his death in Milan in 1998.
