Gabriele Innamorati (1960) - Senza titolo






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Gabriele Innamorati, Senza titolo, a 2009 original contemporary painting in acrylic and mixed media, 44 × 38 cm, blue and white, signed with the artist’s stamp on the base, in excellent condition and produced in Italy, offered by Galleria.
Description from the seller
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Gabriele Innamorati - Evolvart- (1960, Civitanova) [Italy]
2009
Painting and Sculpture
wooden structure, papier-mâché and acrylic painting
Artist's signature and stamp on the bottom of the base
Certificate of authenticity from the Artist and Gallery
Gabriele Innamorati was born in 1960 and is one of the leading contemporary Marche artists. His works span several genres, from landscapes, portraits and still lifes in his early figurative period, to his later move toward abstract figuration and sculpture—a very personal genre. For the artist, painting should not be rational but arise from creative impulses. He makes an important turn toward abstraction that leans toward figuration; his compositions are fantastic. His figure is sometimes melancholic, with the reflective mood typical of a dreamer. His geometries fit into large colorful backdrops in a softer way. He loves contact with matter; his main production centers on modeling and sculpture, which always refers back to painting.
Seller's Story
Note: if you purchase more works in the same auction you pay ONLY ONE SHIPPING COST
Gabriele Innamorati - Evolvart- (1960, Civitanova) [Italy]
2009
Painting and Sculpture
wooden structure, papier-mâché and acrylic painting
Artist's signature and stamp on the bottom of the base
Certificate of authenticity from the Artist and Gallery
Gabriele Innamorati was born in 1960 and is one of the leading contemporary Marche artists. His works span several genres, from landscapes, portraits and still lifes in his early figurative period, to his later move toward abstract figuration and sculpture—a very personal genre. For the artist, painting should not be rational but arise from creative impulses. He makes an important turn toward abstraction that leans toward figuration; his compositions are fantastic. His figure is sometimes melancholic, with the reflective mood typical of a dreamer. His geometries fit into large colorful backdrops in a softer way. He loves contact with matter; his main production centers on modeling and sculpture, which always refers back to painting.
