Cornelis Janssens van Ceulen (1593–1661), cerchia di - Ritratto di Sir John Nicholas Martyn
03
days
17
hours
45
minutes
02
seconds
Current bid
€ 1,700
Reserve price met
Expert
Selected by Giulia Santoro
Specialised in 17th century Old Master paintings and drawings with auction house experience.
Estimate € 2,500 - € 3,000
 | €1,700 | |
|---|---|---|
 | €850 |
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 142645 reviews
Rated Excellent on Trustpilot.
Ritratto di Sir John Nicholas Martyn, an oil on canvas portrait in the seventeenth century by the circle of Cornelis Janssens van Ceulen, Netherlands, 83 x 70 cm, non-signed, good condition, sold with frame.
AI-assisted summary
Description from the seller
Studio of Cornelis Janssens van Ceulen
(Cornelius Johnson / Cornelis Jonson van Ceulen, London 1593 – Utrecht 1661)
- Oil on canvas
- Anglo-Flemish / English School of the 17th century
- Dimensions: 83 x 70 cm in frame / canvas 69 x 57 cm
Title
Portrait of Sir Nicholas Martyn, Knt.
(Portrait of Sir Nicholas Martyn)
Dating:
Second quarter of the 17th century, circa 1625–1640
with possible conservation interventions and subsequent restorations.
Sir Nicholas Martyn (1593–1653), son of William Martyn, belonging to an important Devon family. Historical sources remember him as owner of Oxton and Kenton; he was knighted under James I, became High Sheriff of Devon and subsequently a Member of Parliament. A genealogical-antiquarian source relating to the Kenton monument also confirms that Sir Nicholas died in 1653 and married Elizabeth Symes.
CONDITION REPORT
Support and conservation state
The reverse shows a canvas with evident natural oxidation and a support structure that merits attention. Small localized interventions are present, including fragments of gauze/canvass applied in correspondence with areas of the inscription. On the recto a fine and diffuse craquelure is visible, particularly legible on the flesh tones and in the pale areas of the ruff. There are also surface inhomogeneities and areas that may correspond to old conservation interventions, retouchings or varnish variations. The surface overall remains stable despite signs of age and irregularities.
Frame
The gilded frame, with molded profile and angular vegetal decorative applications, period: indicatively in the 19th century, probably in the first half/second half of the century, crafted in the spirit of 17th-century frames. It shows abrasions to the gilding, small gaps, wear and local losses in the ornamental elements, compatible with its age.
*** Photographic note
Some photographic images of the work were taken with the aid of professional studio lighting and spotlights to allow better legibility of the composition, details and painterly matter. This lighting may cause slight variations in color perception and brightness compared with viewing the work directly. The photographs are intended for illustrative and documentary purposes only.
The frame is provided free of charge as a complimentary item with the work and should therefore be considered an accessory element, not included in the economic valuation of the painting. Given the natural fragility of antique gilded frames, any damage, detachment, breakage or loss of frame parts occurring during transport or shipping cannot be the subject of refund, compensation, or dispute regarding the value of the work. The packing will nevertheless be prepared with maximum care to ensure, as far as possible, safe transport.
Insured shipping
Attributive Expertise
*** For reasons of historical interest the work cannot be shipped outside the European community / insured shipment in a wooden crate
Seller's Story
Magnolia Arte
Auctions · Works of Art · Expertise
Magnolia Arte was born from a passion for art and from the experience gained in study, selection and enhancement of works destined for collecting.
The auction house and gallery operates in the art market with particular attention to antique, modern and contemporary painting, offering carefully selected works for historical-artistic interest, quality and collectible value.
Each work is presented through a path of in-depth study that, where applicable, considers historical and stylistic context, attribution, condition, provenance and bibliographic and comparative references. For works that require it, studies, expertise and diagnostic deepening can also be prepared.
COLLECTING WITH DISCERNMENT
For Magnolia Arte, purchasing a work means entering into a relationship with a unique object, a witness of an era, of a culture and of the artist’s sensibility.
For this reason we accompany the collector not only in the choice, but also in the understanding and valorizations of the work, offering a direct, confidential and professional relationship.
Translated by Google TranslateStudio of Cornelis Janssens van Ceulen
(Cornelius Johnson / Cornelis Jonson van Ceulen, London 1593 – Utrecht 1661)
- Oil on canvas
- Anglo-Flemish / English School of the 17th century
- Dimensions: 83 x 70 cm in frame / canvas 69 x 57 cm
Title
Portrait of Sir Nicholas Martyn, Knt.
(Portrait of Sir Nicholas Martyn)
Dating:
Second quarter of the 17th century, circa 1625–1640
with possible conservation interventions and subsequent restorations.
Sir Nicholas Martyn (1593–1653), son of William Martyn, belonging to an important Devon family. Historical sources remember him as owner of Oxton and Kenton; he was knighted under James I, became High Sheriff of Devon and subsequently a Member of Parliament. A genealogical-antiquarian source relating to the Kenton monument also confirms that Sir Nicholas died in 1653 and married Elizabeth Symes.
CONDITION REPORT
Support and conservation state
The reverse shows a canvas with evident natural oxidation and a support structure that merits attention. Small localized interventions are present, including fragments of gauze/canvass applied in correspondence with areas of the inscription. On the recto a fine and diffuse craquelure is visible, particularly legible on the flesh tones and in the pale areas of the ruff. There are also surface inhomogeneities and areas that may correspond to old conservation interventions, retouchings or varnish variations. The surface overall remains stable despite signs of age and irregularities.
Frame
The gilded frame, with molded profile and angular vegetal decorative applications, period: indicatively in the 19th century, probably in the first half/second half of the century, crafted in the spirit of 17th-century frames. It shows abrasions to the gilding, small gaps, wear and local losses in the ornamental elements, compatible with its age.
*** Photographic note
Some photographic images of the work were taken with the aid of professional studio lighting and spotlights to allow better legibility of the composition, details and painterly matter. This lighting may cause slight variations in color perception and brightness compared with viewing the work directly. The photographs are intended for illustrative and documentary purposes only.
The frame is provided free of charge as a complimentary item with the work and should therefore be considered an accessory element, not included in the economic valuation of the painting. Given the natural fragility of antique gilded frames, any damage, detachment, breakage or loss of frame parts occurring during transport or shipping cannot be the subject of refund, compensation, or dispute regarding the value of the work. The packing will nevertheless be prepared with maximum care to ensure, as far as possible, safe transport.
Insured shipping
Attributive Expertise
*** For reasons of historical interest the work cannot be shipped outside the European community / insured shipment in a wooden crate
Seller's Story
Magnolia Arte
Auctions · Works of Art · Expertise
Magnolia Arte was born from a passion for art and from the experience gained in study, selection and enhancement of works destined for collecting.
The auction house and gallery operates in the art market with particular attention to antique, modern and contemporary painting, offering carefully selected works for historical-artistic interest, quality and collectible value.
Each work is presented through a path of in-depth study that, where applicable, considers historical and stylistic context, attribution, condition, provenance and bibliographic and comparative references. For works that require it, studies, expertise and diagnostic deepening can also be prepared.
COLLECTING WITH DISCERNMENT
For Magnolia Arte, purchasing a work means entering into a relationship with a unique object, a witness of an era, of a culture and of the artist’s sensibility.
For this reason we accompany the collector not only in the choice, but also in the understanding and valorizations of the work, offering a direct, confidential and professional relationship.
Translated by Google TranslateDetails
Artist
Cornelis Janssens van Ceulen (1593–1661), cerchia di
Sold with frame
Yes
Sold by
Gallery
Title of artwork
Ritratto di Sir John Nicholas Martyn
Technique
Oil painting
Signature
Not signed
Country of origin
Netherlands
Year
1680
Condition
Good condition
Height
83 cm
Width
70 cm
Period
17th century
Sold by
