Justine Joseph (1971-) - Swimming Opposite, Fern surround – Original Cyanotype
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Selected by Elena Vaninetti
Has over ten years of experience in art, specialising in post-war photography and contemporary art.
Estimate € 300 - € 380
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Justine Joseph, hand-signed, presents Swimming Opposite, Fern surround – Original Cyanotype, a 2026 hand-printed original cyanotype in original state, 39 cm by 28 cm, created by the photographer's daughter.
AI-assisted summary
Description from the seller
Among the Ferns
Unique Hand-Printed Cyanotype by Justine Joseph
From an original photograph by Michael Joseph
There is something wonderfully dreamlike about this image - two women swimmng, as if amongst underwater foliage, facing opposite directions, suspended somewhere between photograph, memory and botanical print.
Created by hand in the Dordogne from one of Michael Joseph’s original negatives, the photograph has been reinterpreted as a cyanotype and surrounded by a second layer of botanical imagery. Ferns and leaves spill around the central photograph, forming a natural frame and blurring the boundary between the original image and the plants that now surround it.
The effect is almost as though the photograph has been rediscovered years later, slowly being reclaimed by nature.
The characteristic Prussian blue of the cyanotype shifts from deep, velvety shadows to delicate, almost watercolour-like marks. Brushstrokes, variations in exposure and the unpredictable traces left by the plants are deliberately retained: evidence of a process made with chemistry, sunlight and the human hand rather than produced identically by a machine.
At its centre remains Michael Joseph’s photograph; around it, a new generation has grown. Hand-printed by his daughter Justine, the work becomes a quiet conversation between two photographic practices - an original image from Michael Joseph’s archive revisited decades later through one of photography’s earliest printing processes.
Presented within a contemporary metallic-effect silver mount, the crisp geometry of the framing contrasts beautifully with the unruly foliage and handmade edges of the cyanotype.
A unique artwork. No second example can ever be precisely the same. Photography remembered through sunlight.
#Cyanotype #UniqueArtwork #OneOfAKind #MichaelJoseph #JustineJoseph #BotanicalArt #FernPrint #AlternativePhotography #BlueArt #HandPrinted #AnaloguePhotography #FineArtPhotography #PhotographicArchive #PrussianBlue #DordogneArt #OriginalArt #PhotographyRevisited
Seller's Story
My father, Michael Joseph, was a London-based advertising photographer from the 1960s to the early 1990s, perhaps best known for his iconic photographs for the Rolling Stones’ Beggars Banquet album.
Such was Michael’s extraordinary talent for orchestrating elaborate group scenes, often bringing together large numbers of people and animals in seemingly effortless harmony, that these wonderfully theatrical compositions became known within the advertising industry simply as “a Michael Joseph” - a style so distinctive that his name became a description in its own right.
Our continuing mission is to share what we affectionately call “the other photographs”: lesser-known treasures from his remarkable archive, including original vintage darkroom prints, experimental test prints, alternative images from major shoots, celebrated group compositions and more intimate, personal photographs.
Among our most exciting discoveries is Michael’s extraordinary 1964 Vietnam archive, photographed when he was just 23. Many of these powerful images have never previously been exhibited or offered for sale, revealing a fascinating, lesser-known side of his career.
There is also a wonderfully poetic quality to much of his work: unexpected encounters, fleeting moments and what we like to call “immortalised instants” - those unrepeatable fragments of everyday life that might otherwise have gone unnoticed.
All beautifully summed up in Michael’s favourite adage:
“Always keep a camera handy, every minute of your living day.”
A philosophy he certainly lived by, leaving us an extraordinary collection that we are still discovering today.
Alongside Michael’s authentic vintage prints, we are introducing new interpretations of his work: striking photographic prints on aluminium and handmade cyanotypes, created from his original negatives and transparencies using the Dordogne sunshine. Some are produced on vintage papers from Michael’s own photographic library, giving these historic materials a wonderful new lease of life.
Together, these works celebrate photographic history and contemporary creativity - from unique prints made by Michael himself to imaginative new interpretations of his archive.
We hope you enjoy discovering these photographs as much as we enjoy bringing them to light!
A Small Note About the Presentation Photographs
Some of our in situ illustrations showing artworks displayed in interiors have been created using artificial intelligence (AI).
These are intended simply to help you imagine how a piece might look in a home, office or gallery. Although we aim for faithful representations, proportions and scale may occasionally vary.
Please refer to the actual artwork photographs and stated dimensions for an accurate representation of your purchase.
A Personal Note About Packaging
We prepare and pack every artwork ourselves, taking great care to protect each piece with several layers of suitable materials.
To keep costs down and minimise waste, we reuse and upcycle packaging wherever possible. Your parcel may therefore contain recycled cardboard, protective sleeves, old photographic boxes or envelopes - occasionally even materials from Michael’s own photographic library!
And please don't be surprised if the outside looks rather plain, or even a little unattractive. This is often deliberate! We prefer valuable or irreplaceable artworks to travel as inconspicuously as possible.
One small favour: please unwrap your parcel slowly and carefully.
We sometimes use several layers of cardboard, paper and protective wrapping, secured with tape. Please take particular care when using scissors or a blade, as tape can occasionally catch on adjoining layers or items inside.
We would rather spend a little extra time protecting your purchase than risk damage in transit, and hope you will forgive our occasionally unconventional packaging!
After all, it's what's inside that matters, not the wrapping!
Every purchase helps us preserve, explore and share Michael’s remarkable photographic archive, while giving these images a new home and another chapter in their history.
For US Buyers
Customs duties and applicable import charges are paid at source and included in the shipping cost. No additional charges should normally be payable upon delivery, subject to changes in customs regulations.
Among the Ferns
Unique Hand-Printed Cyanotype by Justine Joseph
From an original photograph by Michael Joseph
There is something wonderfully dreamlike about this image - two women swimmng, as if amongst underwater foliage, facing opposite directions, suspended somewhere between photograph, memory and botanical print.
Created by hand in the Dordogne from one of Michael Joseph’s original negatives, the photograph has been reinterpreted as a cyanotype and surrounded by a second layer of botanical imagery. Ferns and leaves spill around the central photograph, forming a natural frame and blurring the boundary between the original image and the plants that now surround it.
The effect is almost as though the photograph has been rediscovered years later, slowly being reclaimed by nature.
The characteristic Prussian blue of the cyanotype shifts from deep, velvety shadows to delicate, almost watercolour-like marks. Brushstrokes, variations in exposure and the unpredictable traces left by the plants are deliberately retained: evidence of a process made with chemistry, sunlight and the human hand rather than produced identically by a machine.
At its centre remains Michael Joseph’s photograph; around it, a new generation has grown. Hand-printed by his daughter Justine, the work becomes a quiet conversation between two photographic practices - an original image from Michael Joseph’s archive revisited decades later through one of photography’s earliest printing processes.
Presented within a contemporary metallic-effect silver mount, the crisp geometry of the framing contrasts beautifully with the unruly foliage and handmade edges of the cyanotype.
A unique artwork. No second example can ever be precisely the same. Photography remembered through sunlight.
#Cyanotype #UniqueArtwork #OneOfAKind #MichaelJoseph #JustineJoseph #BotanicalArt #FernPrint #AlternativePhotography #BlueArt #HandPrinted #AnaloguePhotography #FineArtPhotography #PhotographicArchive #PrussianBlue #DordogneArt #OriginalArt #PhotographyRevisited
Seller's Story
My father, Michael Joseph, was a London-based advertising photographer from the 1960s to the early 1990s, perhaps best known for his iconic photographs for the Rolling Stones’ Beggars Banquet album.
Such was Michael’s extraordinary talent for orchestrating elaborate group scenes, often bringing together large numbers of people and animals in seemingly effortless harmony, that these wonderfully theatrical compositions became known within the advertising industry simply as “a Michael Joseph” - a style so distinctive that his name became a description in its own right.
Our continuing mission is to share what we affectionately call “the other photographs”: lesser-known treasures from his remarkable archive, including original vintage darkroom prints, experimental test prints, alternative images from major shoots, celebrated group compositions and more intimate, personal photographs.
Among our most exciting discoveries is Michael’s extraordinary 1964 Vietnam archive, photographed when he was just 23. Many of these powerful images have never previously been exhibited or offered for sale, revealing a fascinating, lesser-known side of his career.
There is also a wonderfully poetic quality to much of his work: unexpected encounters, fleeting moments and what we like to call “immortalised instants” - those unrepeatable fragments of everyday life that might otherwise have gone unnoticed.
All beautifully summed up in Michael’s favourite adage:
“Always keep a camera handy, every minute of your living day.”
A philosophy he certainly lived by, leaving us an extraordinary collection that we are still discovering today.
Alongside Michael’s authentic vintage prints, we are introducing new interpretations of his work: striking photographic prints on aluminium and handmade cyanotypes, created from his original negatives and transparencies using the Dordogne sunshine. Some are produced on vintage papers from Michael’s own photographic library, giving these historic materials a wonderful new lease of life.
Together, these works celebrate photographic history and contemporary creativity - from unique prints made by Michael himself to imaginative new interpretations of his archive.
We hope you enjoy discovering these photographs as much as we enjoy bringing them to light!
A Small Note About the Presentation Photographs
Some of our in situ illustrations showing artworks displayed in interiors have been created using artificial intelligence (AI).
These are intended simply to help you imagine how a piece might look in a home, office or gallery. Although we aim for faithful representations, proportions and scale may occasionally vary.
Please refer to the actual artwork photographs and stated dimensions for an accurate representation of your purchase.
A Personal Note About Packaging
We prepare and pack every artwork ourselves, taking great care to protect each piece with several layers of suitable materials.
To keep costs down and minimise waste, we reuse and upcycle packaging wherever possible. Your parcel may therefore contain recycled cardboard, protective sleeves, old photographic boxes or envelopes - occasionally even materials from Michael’s own photographic library!
And please don't be surprised if the outside looks rather plain, or even a little unattractive. This is often deliberate! We prefer valuable or irreplaceable artworks to travel as inconspicuously as possible.
One small favour: please unwrap your parcel slowly and carefully.
We sometimes use several layers of cardboard, paper and protective wrapping, secured with tape. Please take particular care when using scissors or a blade, as tape can occasionally catch on adjoining layers or items inside.
We would rather spend a little extra time protecting your purchase than risk damage in transit, and hope you will forgive our occasionally unconventional packaging!
After all, it's what's inside that matters, not the wrapping!
Every purchase helps us preserve, explore and share Michael’s remarkable photographic archive, while giving these images a new home and another chapter in their history.
For US Buyers
Customs duties and applicable import charges are paid at source and included in the shipping cost. No additional charges should normally be payable upon delivery, subject to changes in customs regulations.
Details
Date of print
2026
Artist
Justine Joseph (1971-)
Sold by
Direct from the artist
Title of artwork
Swimming Opposite, Fern surround – Original Cyanotype
Condition
Original State
Technique
Other
Height
39 cm
Edition
Cyanotype by the photographer's daughter
Width
28 cm
Signature
Hand signed
Genre
Nude
Sold by
