Carlo Francesco Nuvolone (1609–1662), Cerchia di - Assunzione della Vergine
05
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€ 1
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Selected by Giulia Santoro
Specialised in 17th century Old Master paintings and drawings with auction house experience.
Estimate € 2,500 - € 3,000
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Assunzione della Vergine, a XVIIth‑century Italian tempera painting attributed to the circle of Carlo Francesco Nuvolone, sold with frame.
AI-assisted summary
Description from the seller
Circle of Carlo Francesco Nuvolone
(Milan, around 1609 – 1662)
“Assumption of the Virgin”
Lombardy, 17th century
circa 1650–1670
Dimensions: 98.5 x 82 cm in frame
Canvas: 86 x 70 cm
Attribution note
The work presents stylistic elements coherent with the painting culture of Carlo Francesco Nuvolone and his circle, in particular in the typology of the Virgin, in the softness of the modeling, in the palette and in the treatment of the draperies. The attribution to the circle should be regarded as a critical proposal based on the examination of the available photographic documentation and could be further refined through direct examination of the work, diagnostic investigations and specialist comparisons.
Stylistic analysis
The work appears to be attributable to the Lombard painting culture of the 17th century, with significant contact elements with the language developed in Milan by Carlo Francesco Nuvolone and the artists surrounding his workshop.
Particularly indicative is the construction of the female figure.
The Virgin’s face displays a full and delicately idealized physiognomy. The modeling is achieved through soft chiaroscuro transitions, without a rigid delimitation of the contours.
The eyes turned upward, the small and slightly open mouth, the full oval of the face and the sentimental and ecstatic expression find significant echoes in Carlo Francesco Nuvolone’s female and Marian production.
The same sensitivity emerges in the treatment of the flesh tones, characterized by light and warm hues that gradually emerge from the half-shade.
Frame
The painting is accompanied by a molded and gilded wooden frame. There are signs of wear, abrasions of the gilding, small cracks and traces of previous interventions.
From the photographic documentation it is not possible to establish with certainty the contemporaneity of the frame with the canvas. It also appears to have undergone changes and adaptations over time.
The frame should therefore be considered an accessory element and not determinant for attribution.
Condition Report
Overall conservation status: fair/good for its age.
The surface shows widespread old craquelure, generally consistent with the natural aging of the materials.
There are localized abrasions, small losses and irregularities of the painting surface.
Some areas may have undergone previous cleaning operations, with possible thinning of the original glazes.
In the dark areas and the background, the presence of old restorations and retouches cannot be ruled out.
The varnish surface also appears susceptible to alteration and may contribute to the current reduction in chromatic depth in some areas.
- Expertise and certificate of lawful provenance
- Text and documentation prepared by an antiquarian appraiser
The frame is supplied free of charge with the work and must therefore be considered an accessory element, not included in the painting’s economic evaluation. Due to the natural fragility of antique gilded frames, any damage, detachment, breakage or loss of parts of the frame occurring during transport or shipment cannot be object of reimbursement, compensation or dispute regarding the painting’s value. The packing will nevertheless be prepared with the utmost care to ensure, as far as possible, safe transport.
Shipping insured and secure packing
Transport insurance at the estimated value
*** For historical interest reasons, the work cannot be shipped outside the European Community
Seller's Story
Magnolia Arte
Auctions · Works of Art · Expertise
Magnolia Arte was born from a passion for art and from the experience gained in study, selection and enhancement of works destined for collecting.
The auction house and gallery operates in the art market with particular attention to antique, modern and contemporary painting, offering carefully selected works for historical-artistic interest, quality and collectible value.
Each work is presented through a path of in-depth study that, where applicable, considers historical and stylistic context, attribution, condition, provenance and bibliographic and comparative references. For works that require it, studies, expertise and diagnostic deepening can also be prepared.
COLLECTING WITH DISCERNMENT
For Magnolia Arte, purchasing a work means entering into a relationship with a unique object, a witness of an era, of a culture and of the artist’s sensibility.
For this reason we accompany the collector not only in the choice, but also in the understanding and valorizations of the work, offering a direct, confidential and professional relationship.
Translated by Google TranslateCircle of Carlo Francesco Nuvolone
(Milan, around 1609 – 1662)
“Assumption of the Virgin”
Lombardy, 17th century
circa 1650–1670
Dimensions: 98.5 x 82 cm in frame
Canvas: 86 x 70 cm
Attribution note
The work presents stylistic elements coherent with the painting culture of Carlo Francesco Nuvolone and his circle, in particular in the typology of the Virgin, in the softness of the modeling, in the palette and in the treatment of the draperies. The attribution to the circle should be regarded as a critical proposal based on the examination of the available photographic documentation and could be further refined through direct examination of the work, diagnostic investigations and specialist comparisons.
Stylistic analysis
The work appears to be attributable to the Lombard painting culture of the 17th century, with significant contact elements with the language developed in Milan by Carlo Francesco Nuvolone and the artists surrounding his workshop.
Particularly indicative is the construction of the female figure.
The Virgin’s face displays a full and delicately idealized physiognomy. The modeling is achieved through soft chiaroscuro transitions, without a rigid delimitation of the contours.
The eyes turned upward, the small and slightly open mouth, the full oval of the face and the sentimental and ecstatic expression find significant echoes in Carlo Francesco Nuvolone’s female and Marian production.
The same sensitivity emerges in the treatment of the flesh tones, characterized by light and warm hues that gradually emerge from the half-shade.
Frame
The painting is accompanied by a molded and gilded wooden frame. There are signs of wear, abrasions of the gilding, small cracks and traces of previous interventions.
From the photographic documentation it is not possible to establish with certainty the contemporaneity of the frame with the canvas. It also appears to have undergone changes and adaptations over time.
The frame should therefore be considered an accessory element and not determinant for attribution.
Condition Report
Overall conservation status: fair/good for its age.
The surface shows widespread old craquelure, generally consistent with the natural aging of the materials.
There are localized abrasions, small losses and irregularities of the painting surface.
Some areas may have undergone previous cleaning operations, with possible thinning of the original glazes.
In the dark areas and the background, the presence of old restorations and retouches cannot be ruled out.
The varnish surface also appears susceptible to alteration and may contribute to the current reduction in chromatic depth in some areas.
- Expertise and certificate of lawful provenance
- Text and documentation prepared by an antiquarian appraiser
The frame is supplied free of charge with the work and must therefore be considered an accessory element, not included in the painting’s economic evaluation. Due to the natural fragility of antique gilded frames, any damage, detachment, breakage or loss of parts of the frame occurring during transport or shipment cannot be object of reimbursement, compensation or dispute regarding the painting’s value. The packing will nevertheless be prepared with the utmost care to ensure, as far as possible, safe transport.
Shipping insured and secure packing
Transport insurance at the estimated value
*** For historical interest reasons, the work cannot be shipped outside the European Community
Seller's Story
Magnolia Arte
Auctions · Works of Art · Expertise
Magnolia Arte was born from a passion for art and from the experience gained in study, selection and enhancement of works destined for collecting.
The auction house and gallery operates in the art market with particular attention to antique, modern and contemporary painting, offering carefully selected works for historical-artistic interest, quality and collectible value.
Each work is presented through a path of in-depth study that, where applicable, considers historical and stylistic context, attribution, condition, provenance and bibliographic and comparative references. For works that require it, studies, expertise and diagnostic deepening can also be prepared.
COLLECTING WITH DISCERNMENT
For Magnolia Arte, purchasing a work means entering into a relationship with a unique object, a witness of an era, of a culture and of the artist’s sensibility.
For this reason we accompany the collector not only in the choice, but also in the understanding and valorizations of the work, offering a direct, confidential and professional relationship.
Translated by Google TranslateDetails
Sold with frame
Yes
Sold by
Gallery
Artist
Carlo Francesco Nuvolone (1609–1662), Cerchia di
Title of artwork
Assunzione della Vergine
Technique
Tempera
Signature
Not signed
Country of origin
Italy
Year
1650
Condition
Good condition
Height
98.5 cm
Width
82 cm
Period
17th century
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