0xec6d0 (XX-XXI) - Bitcoin Daddy - XXL






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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0xec6d0, a French artist, presents Bitcoin Daddy - XXL, an original abstract artwork in mixed media and pastel from 2026, on canvas measuring 83 × 160 cm (approximately 73 × 150 cm when mounted), hand signed and dated on the back with an certificate of authenticity included.
Description from the seller
Dimensions: 83 × 160 cm
Approximately 73 × 150 cm once mounted on a stretcher.
Unique piece, signed and dated on the back.
Certificate of authenticity included.
▣ 0xec6d0 — outsider art and the machine
No face.
0xec6d0 is a French anonymous artist, founder of Neo Brutalism. His work explores areas that contemporary art rarely faces: artificial intelligence, LLM, tensors, NLP, low-level languages, Rust, C, closed systems, digital identity, and technical power.
His gesture is neo-expressionist: raw material, acrylic, chalk, physical tension. His subject is cold, precise, almost clinical: the code, the machine, the body, dissociation, Europe in the process of losing shape.
The artist deliberately fades away. No face, no biographical cult: only the work must strike.
Each piece arises from this friction between pictorial brutality and the computational world — violent, gentle, intellectual.
- More than 1,600 pieces sold
- Works collected in the United States and Europe
- Solo exhibition Generation Botox, Sofia, 2024
- Reference rating listed on Akoun / ArtMajeur, 2026
Dimensions: 83 × 160 cm
Approximately 73 × 150 cm once mounted on a stretcher.
Unique piece, signed and dated on the back.
Certificate of authenticity included.
▣ 0xec6d0 — outsider art and the machine
No face.
0xec6d0 is a French anonymous artist, founder of Neo Brutalism. His work explores areas that contemporary art rarely faces: artificial intelligence, LLM, tensors, NLP, low-level languages, Rust, C, closed systems, digital identity, and technical power.
His gesture is neo-expressionist: raw material, acrylic, chalk, physical tension. His subject is cold, precise, almost clinical: the code, the machine, the body, dissociation, Europe in the process of losing shape.
The artist deliberately fades away. No face, no biographical cult: only the work must strike.
Each piece arises from this friction between pictorial brutality and the computational world — violent, gentle, intellectual.
- More than 1,600 pieces sold
- Works collected in the United States and Europe
- Solo exhibition Generation Botox, Sofia, 2024
- Reference rating listed on Akoun / ArtMajeur, 2026
