Camerapohoto Epoche/Vittorio Pavan - 34-Neve in Piazza S. Marco, Venezia 1947






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Camerapohoto Epoche/Vittorio Pavan presents 34-Neve in Piazza S. Marco, Venezia 1947, a 55 × 55 cm digitally printed photograph (Edition 01/30) in SPL condition, signed with a stamp on baryta silk paper.
Description from the seller
Digital inkjet print on pigment inks on baryta fiber silk paper, with a 60x70 cm sheet.
All images are taken from the original negatives, belonging to Vittorio Pavan's Cameraphoto Epoche Archive.
Print on 310g Silk fiber baryta paper. pigment inks. Paper 60x70 cm.
The image obtained from a 6×6 cm negative
Camera Epoche - Venice Historical Archive:
Three hundred thousand mostly unpublished black-and-white images: negatives on glass make way, as time passes, to 4 x 5 inch sheet film, then to 120 rolls during the Fifties replaced by 135 cartridges from the early 1970s onward. Such is the content of the Archivio Cameraphoto Epoche archive in numbers. A quick glance at it cannot help but fall in love with long-gone faces, places and events whose intensity still shines through in each contact print and has now become history: movie stars and art/culture personalities, day and night views of Venice and the surrounding countryside, gossip, crime, sports, and local news, artwork or print reproductions.
About Vittorio Pavan:
In 1972, at the age of 14, he was hired by Cameraphoto, the largest photojournalism agency in Venice, founded in 1946, contributing to the production of development and black-and-white analogue press and the creation of photographic services for newspapers and weekly magazines, including “Il Corriere della Sera”, “La Stampa”, “Der Spiegel”, “Time” and “Life”.
In addition to photojournalism, he still collaborates with La Biennale and with the Department of Culture for the realization of exhibition catalogs, including
Vasilij Kandinsky, Egon Schiele, Cagnaccio, Tiziano and El Greco.
In 1987 he took over the Agency.
He currently makes art photographs for books, collaborating with publishing houses such as Electa, Treccani, Biblos, Magnus. In addition to the reproduction of works of art (the latest major work the book "Emilio Vedova Sculptor" published by Skira), he performs analog prints in black and white and fine art digital prints, for professionals and artists, among my clients include: Araki, Fulvio Roiter, Giorgia Fiorio, David Hamilton, Danilo De Marchi.
In addition to his activity as photographer and printer, for about 5 years he has devoted himself to the enhancement and conservation of his historical archive, called the "Archivio Cameraphoto Epoche" containing about 300,000 negatives from the post-war period to the 80s, whose negatives represent, in their various aspects, the history of Venice and beyond."
Digital inkjet print on pigment inks on baryta fiber silk paper, with a 60x70 cm sheet.
All images are taken from the original negatives, belonging to Vittorio Pavan's Cameraphoto Epoche Archive.
Print on 310g Silk fiber baryta paper. pigment inks. Paper 60x70 cm.
The image obtained from a 6×6 cm negative
Camera Epoche - Venice Historical Archive:
Three hundred thousand mostly unpublished black-and-white images: negatives on glass make way, as time passes, to 4 x 5 inch sheet film, then to 120 rolls during the Fifties replaced by 135 cartridges from the early 1970s onward. Such is the content of the Archivio Cameraphoto Epoche archive in numbers. A quick glance at it cannot help but fall in love with long-gone faces, places and events whose intensity still shines through in each contact print and has now become history: movie stars and art/culture personalities, day and night views of Venice and the surrounding countryside, gossip, crime, sports, and local news, artwork or print reproductions.
About Vittorio Pavan:
In 1972, at the age of 14, he was hired by Cameraphoto, the largest photojournalism agency in Venice, founded in 1946, contributing to the production of development and black-and-white analogue press and the creation of photographic services for newspapers and weekly magazines, including “Il Corriere della Sera”, “La Stampa”, “Der Spiegel”, “Time” and “Life”.
In addition to photojournalism, he still collaborates with La Biennale and with the Department of Culture for the realization of exhibition catalogs, including
Vasilij Kandinsky, Egon Schiele, Cagnaccio, Tiziano and El Greco.
In 1987 he took over the Agency.
He currently makes art photographs for books, collaborating with publishing houses such as Electa, Treccani, Biblos, Magnus. In addition to the reproduction of works of art (the latest major work the book "Emilio Vedova Sculptor" published by Skira), he performs analog prints in black and white and fine art digital prints, for professionals and artists, among my clients include: Araki, Fulvio Roiter, Giorgia Fiorio, David Hamilton, Danilo De Marchi.
In addition to his activity as photographer and printer, for about 5 years he has devoted himself to the enhancement and conservation of his historical archive, called the "Archivio Cameraphoto Epoche" containing about 300,000 negatives from the post-war period to the 80s, whose negatives represent, in their various aspects, the history of Venice and beyond."
