Roger Muhl (1929-2008) - Provence : Les mamelons d'alentour étaient couverts de thym





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Original lithograph on vélin paper by French artist Roger Muhl (1929–2008), titled Provence: Les mamelons d'alentour étaient couverts de thym, 1986, 42 x 32 cm, edition limitée, signed and numbered in pencil, produced at the Mourlot workshop in Paris, in excellent condition.
Description from the seller
Roger MUHL: Provence: The surrounding mamelons were covered with thyme
Original lithograph on vellum paper measuring 42 x 32 cm.
Numbered and signed in pencil by the artist.
Printed on presses of the Mourlot workshop, Paris.
Artwork in perfect condition, never been framed.
We provide meticulous packaging, international tracking, insurance, and express shipments for all our deliveries.
Roger Mühl, born December 20, 1929 in Strasbourg, died April 4, 2008 in Mougins, was a French painter, draftsman, and sculptor.
He entered the École nationale supérieure des arts décoratifs in Strasbourg, from which he left in 1948 to move to the Territoire de Belfort. He settled in 1954 at Montreux-Château and held his first Paris exhibition at Galerie de Paris in 1960. Then in Geneva, London, Milan, Dallas, Cologne, Stuttgart, Tokyo, Kyoto, Belfort and New York. He mainly worked on the Côte d'Azur. He was regarded as a figurative painter, a painter of Provence and its landscapes, above all a painter of light and atmosphere; the impasto served his technique to establish the perspectives suggested by color alone.
Seller's Story
Roger MUHL: Provence: The surrounding mamelons were covered with thyme
Original lithograph on vellum paper measuring 42 x 32 cm.
Numbered and signed in pencil by the artist.
Printed on presses of the Mourlot workshop, Paris.
Artwork in perfect condition, never been framed.
We provide meticulous packaging, international tracking, insurance, and express shipments for all our deliveries.
Roger Mühl, born December 20, 1929 in Strasbourg, died April 4, 2008 in Mougins, was a French painter, draftsman, and sculptor.
He entered the École nationale supérieure des arts décoratifs in Strasbourg, from which he left in 1948 to move to the Territoire de Belfort. He settled in 1954 at Montreux-Château and held his first Paris exhibition at Galerie de Paris in 1960. Then in Geneva, London, Milan, Dallas, Cologne, Stuttgart, Tokyo, Kyoto, Belfort and New York. He mainly worked on the Côte d'Azur. He was regarded as a figurative painter, a painter of Provence and its landscapes, above all a painter of light and atmosphere; the impasto served his technique to establish the perspectives suggested by color alone.

