Jean Jansem (1920-2013) - Femme au balcon

07
days
10
hours
15
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47
seconds
Starting bid
€ 1
Reserve price not met
Sylvia Kellermann
Expert
Estimate  € 230 - € 250
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Description from the seller

Jean JANSEM (1920-2013 - Woman on the Balcony
Original lithograph on velin paper measuring 74 x 55 cm.
Numbered 71/80 and signed in pencil by the artist.

Work in good condition, never framed.
The piece shows a few signs of aging along the margin edge (see photos), which can be easily concealed during framing with a mat or with a light pastel touch-up.

Express shipping with included art-specific insurance.

Jean Jansem, pseudonym of Ohannès Semerdjian, born March 9, 1920 in Seuleuze (Sölöz) near Bursa in Turkey, and died August 27, 2013 at his home in Saint-Aignan-sur-Cher (Loir-et-Cher), is a French painter, sculptor and engraver of Armenian origin. Ohannès Semerdjian was born in Turkey to Armenian parents, his father an industrialist in the silk thread trade, and the war that broke out in 1922 between Turkey and Greece forced his family to emigrate to Thessaloniki where he continued the silk trade and where he spent his childhood, his interest in painting leading him to reproduce scenes from classical mythology.

The need for hospital care at the age of ten, due to broken bones in his feet, brought him to France accompanied by his mother, where, after four years of immobilization in a hospital (including six months with the brothers of the Hospital Order of Saint John of God near Dinan), he set up a large studio in Issy-les-Moulineaux, established his workshop there and began painting portraits and landscapes with early success. He nevertheless attended evening classes at the Beaux-Arts workshops of the City of Paris at 80, boulevard du Montparnasse, while also attending a preparatory school on the Place des Vosges. Then, fairly adequately supporting himself by painting at night letters for greyhound racing interests, then by practicing photo retouching, in 1936 he became a pupil of Maurice Brianchon, Raymond Legueult and Roland Oudot at the École des arts décoratifs of Paris, earning his diploma in 1938. When war came, he was exempted due to his foot, and he worked in a gas mask factory until the Liberation, while continuing to paint. He was naturalized as French in 1940, participated in the Salon des indépendants in 1941 and continued to attend the workshops of Yves Brayer, Jean Aujame, Édouard Georges Mac-Avoy and Édouard Goerg at the Académie de la Grande Chaumière until his selection for the Autumn Salon in 1945.

During many stays in Greece (his first return in 1950), Spain, and Italy, he painted and drew from nature, notably bullfighting, processions, markets, carnivals and studio scenes. Simultaneously he produced lithographs and engravings related to his themes.

In 1957, his career became international. He exhibited in Italy, Switzerland, England and especially the United States. In 1969, Mitsukoshi Gallery presented a retrospective of his works in Tokyo and, since then, his work has been regularly shown in Japan.

Two museums are dedicated to him: in Ginza (Tokyo), in 1992, and in Azumino, in 1993.

In 2002, he traveled to Armenia for the official inauguration of his exhibition “Massacres” at the Genocide Museum in Yerevan.

Died on August 27, 2013, Jean Jansem rests in the communal cemetery of Clamart.

Seller's Story

TO KNOW: Professional gallery for nearly 20 years, we pay particular attention to the works shipped. Each shipment is carried out quickly, with secure and appropriate packaging. Buyers commit to paying for their purchases within a maximum of 3 days. For any request to consolidate lots, please do so before payment, via Catawiki, or by email: info@artdif.fr. We can generally group +/- 7 works per parcel from the same sale. Some lots or works of particular formats require adapted shipping. We therefore group as much as possible, but this is in no way an obligation; additional fees related to customs declarations, insurance, and packaging adaptation may be requested from you. The number of required parcels and the shipping costs depend on feasibility. We do not offer any service beyond what is described or provided by Catawiki. Regarding multiples (numbered or justified works), unless otherwise stated, the numbering or justification may differ from what is shown in the photo, due to stock management. The shipped copy remains identical in quality, condition, edition, and value. Upon receipt, please check the parcel and the works in the presence of the carrier. Any damage must be reported immediately and noted with precise reservations on delivery. No claim can be accepted without formal reservations. A visibly damaged package should be refused to enable compensation. Catawiki remains a platform for exchange among passionate collectors: courtesy and respect are essential. We remain at your disposal and thank you for sending your messages clearly and politely. Thank you and happy bidding!
Translated by Google Translate

Jean JANSEM (1920-2013 - Woman on the Balcony
Original lithograph on velin paper measuring 74 x 55 cm.
Numbered 71/80 and signed in pencil by the artist.

Work in good condition, never framed.
The piece shows a few signs of aging along the margin edge (see photos), which can be easily concealed during framing with a mat or with a light pastel touch-up.

Express shipping with included art-specific insurance.

Jean Jansem, pseudonym of Ohannès Semerdjian, born March 9, 1920 in Seuleuze (Sölöz) near Bursa in Turkey, and died August 27, 2013 at his home in Saint-Aignan-sur-Cher (Loir-et-Cher), is a French painter, sculptor and engraver of Armenian origin. Ohannès Semerdjian was born in Turkey to Armenian parents, his father an industrialist in the silk thread trade, and the war that broke out in 1922 between Turkey and Greece forced his family to emigrate to Thessaloniki where he continued the silk trade and where he spent his childhood, his interest in painting leading him to reproduce scenes from classical mythology.

The need for hospital care at the age of ten, due to broken bones in his feet, brought him to France accompanied by his mother, where, after four years of immobilization in a hospital (including six months with the brothers of the Hospital Order of Saint John of God near Dinan), he set up a large studio in Issy-les-Moulineaux, established his workshop there and began painting portraits and landscapes with early success. He nevertheless attended evening classes at the Beaux-Arts workshops of the City of Paris at 80, boulevard du Montparnasse, while also attending a preparatory school on the Place des Vosges. Then, fairly adequately supporting himself by painting at night letters for greyhound racing interests, then by practicing photo retouching, in 1936 he became a pupil of Maurice Brianchon, Raymond Legueult and Roland Oudot at the École des arts décoratifs of Paris, earning his diploma in 1938. When war came, he was exempted due to his foot, and he worked in a gas mask factory until the Liberation, while continuing to paint. He was naturalized as French in 1940, participated in the Salon des indépendants in 1941 and continued to attend the workshops of Yves Brayer, Jean Aujame, Édouard Georges Mac-Avoy and Édouard Goerg at the Académie de la Grande Chaumière until his selection for the Autumn Salon in 1945.

During many stays in Greece (his first return in 1950), Spain, and Italy, he painted and drew from nature, notably bullfighting, processions, markets, carnivals and studio scenes. Simultaneously he produced lithographs and engravings related to his themes.

In 1957, his career became international. He exhibited in Italy, Switzerland, England and especially the United States. In 1969, Mitsukoshi Gallery presented a retrospective of his works in Tokyo and, since then, his work has been regularly shown in Japan.

Two museums are dedicated to him: in Ginza (Tokyo), in 1992, and in Azumino, in 1993.

In 2002, he traveled to Armenia for the official inauguration of his exhibition “Massacres” at the Genocide Museum in Yerevan.

Died on August 27, 2013, Jean Jansem rests in the communal cemetery of Clamart.

Seller's Story

TO KNOW: Professional gallery for nearly 20 years, we pay particular attention to the works shipped. Each shipment is carried out quickly, with secure and appropriate packaging. Buyers commit to paying for their purchases within a maximum of 3 days. For any request to consolidate lots, please do so before payment, via Catawiki, or by email: info@artdif.fr. We can generally group +/- 7 works per parcel from the same sale. Some lots or works of particular formats require adapted shipping. We therefore group as much as possible, but this is in no way an obligation; additional fees related to customs declarations, insurance, and packaging adaptation may be requested from you. The number of required parcels and the shipping costs depend on feasibility. We do not offer any service beyond what is described or provided by Catawiki. Regarding multiples (numbered or justified works), unless otherwise stated, the numbering or justification may differ from what is shown in the photo, due to stock management. The shipped copy remains identical in quality, condition, edition, and value. Upon receipt, please check the parcel and the works in the presence of the carrier. Any damage must be reported immediately and noted with precise reservations on delivery. No claim can be accepted without formal reservations. A visibly damaged package should be refused to enable compensation. Catawiki remains a platform for exchange among passionate collectors: courtesy and respect are essential. We remain at your disposal and thank you for sending your messages clearly and politely. Thank you and happy bidding!
Translated by Google Translate

Details

Sold by
Gallery
Edition
Original
Artist
Jean Jansem (1920-2013)
Title of artwork
Femme au balcon
Technique
Lithograph
Signature
Hand signed
Country of origin
France
Condition
Good condition
Height
74 cm
Width
55 cm
Style
Modern
Sold with frame
No
Period
1970-1980
FranceVerified
12555
Objects sold
99.48%
protop

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