Italian school (XIX) - Studio di corazze e armature rinascimentali
07
days
17
hours
32
minutes
52
seconds
Current bid
€ 5
Reserve price not met
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Selected by Giulia Santoro
Specialised in 17th century Old Master paintings and drawings with auction house experience.
Estimate € 400 - € 500
 | €5 |
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Studio di corazze e armature rinascimentali is an Italian XIXth‑century mixed‑media work on a fibrous support mounted on a wooden panel, 47 by 31.6 cm, dated around 1850, by Scuola italiana (XIX), signed, in good condition and sold with its frame.
AI-assisted summary
Description from the seller
Italian Painter of the 19th Century
“Study of Renaissance armor and armors” (from a nucleus of three works/studies)
Second half of the 19th century, circa 1850–1880
Pictorial technique on a fibrous support applied to a wooden panel in a wooden frame
Measurements: 47 x 31.6 cm in an era-made frame
Description
The work depicts, isolated on a neutral avana-colored background, two torso armor elements inspired by Renaissance models, represented frontally with particular attention to the structure and the systems of assembly.
On the left is a complex bust protecion, consisting of a rigid, shaped upper part and a lower articulated area made up of a succession of overlapping metal blades. The small rivets, dark straps, buckles and gilded borders are accurately described. The strongly shaped and raised upper profile emphasizes the historical and decorative character of the artifact.
On the right is depicted a second armor element, more compact and rounded, characterized by a pronounced central ridge and broad metal surfaces modeled through light-dark transitions. Again the edge is underscored by a brown-gold band.
The palette is deliberately restrained: ferrous grays, greens and desaturated blues describe steel, while ochers and browns highlight profiles, straps and finishes. Small touches of light on the rivets simulate the metal reflections. The background is essentially left without setting, giving the composition the appearance of a study panel or antiquarian repertoire.
This element is also important in relation to the other two works in the series: they do not appear to be conceived as narrative scenes, but rather as a true figurative catalog of historical weapons and armor, probably derived from observations of ancient specimens or from nineteenth-century illustrated repertoires. The descriptive character suggests a possible use for study, antiquarian, decorative purposes or related to historical reconstruction.
Support and conservation status
Photographs show that the pictorial surface does not necessarily appear to have been executed directly on the wood: in the absence of material examination, it seems prudent to describe it as a painting technique on a fibrous support applied to a wooden panel.
The support shows widespread patina of time, stains and superficial alterations; in the lower left corner there is evident a loss of the surface coating, with exposure of the underlying layer. There are also abrasions, small marks and inhomogeneities compatible with age and with the nature of the object. The legibility of the two armors remains good nonetheless.
The simple brown wooden frame, similar to that of the other elements of the series, helps confirm the unitary nature of the nucleus.
*** Note on photographs
Some of the photographs accompanying this card were professionally taken with controlled artificial lighting, using a studio spotlight, to ensure better readability of the work and allow for a more precise observation of the surface, figurative details and chroma.
The frame is provided with the work as a courtesy and does not constitute a substantial part of the sale. Any imperfections, deficiencies or damages to the frame, including those arising from transport, cannot therefore be a reason for dispute or compensation regarding the work.
- Certificate of rightful provenance and Expertise
- Insured shipping and electronic invoicing
Seller's Story
Magnolia Arte
Auctions · Works of Art · Expertise
Magnolia Arte was born from a passion for art and from the experience gained in study, selection and enhancement of works destined for collecting.
The auction house and gallery operates in the art market with particular attention to antique, modern and contemporary painting, offering carefully selected works for historical-artistic interest, quality and collectible value.
Each work is presented through a path of in-depth study that, where applicable, considers historical and stylistic context, attribution, condition, provenance and bibliographic and comparative references. For works that require it, studies, expertise and diagnostic deepening can also be prepared.
COLLECTING WITH DISCERNMENT
For Magnolia Arte, purchasing a work means entering into a relationship with a unique object, a witness of an era, of a culture and of the artist’s sensibility.
For this reason we accompany the collector not only in the choice, but also in the understanding and valorizations of the work, offering a direct, confidential and professional relationship.
Translated by Google TranslateItalian Painter of the 19th Century
“Study of Renaissance armor and armors” (from a nucleus of three works/studies)
Second half of the 19th century, circa 1850–1880
Pictorial technique on a fibrous support applied to a wooden panel in a wooden frame
Measurements: 47 x 31.6 cm in an era-made frame
Description
The work depicts, isolated on a neutral avana-colored background, two torso armor elements inspired by Renaissance models, represented frontally with particular attention to the structure and the systems of assembly.
On the left is a complex bust protecion, consisting of a rigid, shaped upper part and a lower articulated area made up of a succession of overlapping metal blades. The small rivets, dark straps, buckles and gilded borders are accurately described. The strongly shaped and raised upper profile emphasizes the historical and decorative character of the artifact.
On the right is depicted a second armor element, more compact and rounded, characterized by a pronounced central ridge and broad metal surfaces modeled through light-dark transitions. Again the edge is underscored by a brown-gold band.
The palette is deliberately restrained: ferrous grays, greens and desaturated blues describe steel, while ochers and browns highlight profiles, straps and finishes. Small touches of light on the rivets simulate the metal reflections. The background is essentially left without setting, giving the composition the appearance of a study panel or antiquarian repertoire.
This element is also important in relation to the other two works in the series: they do not appear to be conceived as narrative scenes, but rather as a true figurative catalog of historical weapons and armor, probably derived from observations of ancient specimens or from nineteenth-century illustrated repertoires. The descriptive character suggests a possible use for study, antiquarian, decorative purposes or related to historical reconstruction.
Support and conservation status
Photographs show that the pictorial surface does not necessarily appear to have been executed directly on the wood: in the absence of material examination, it seems prudent to describe it as a painting technique on a fibrous support applied to a wooden panel.
The support shows widespread patina of time, stains and superficial alterations; in the lower left corner there is evident a loss of the surface coating, with exposure of the underlying layer. There are also abrasions, small marks and inhomogeneities compatible with age and with the nature of the object. The legibility of the two armors remains good nonetheless.
The simple brown wooden frame, similar to that of the other elements of the series, helps confirm the unitary nature of the nucleus.
*** Note on photographs
Some of the photographs accompanying this card were professionally taken with controlled artificial lighting, using a studio spotlight, to ensure better readability of the work and allow for a more precise observation of the surface, figurative details and chroma.
The frame is provided with the work as a courtesy and does not constitute a substantial part of the sale. Any imperfections, deficiencies or damages to the frame, including those arising from transport, cannot therefore be a reason for dispute or compensation regarding the work.
- Certificate of rightful provenance and Expertise
- Insured shipping and electronic invoicing
Seller's Story
Magnolia Arte
Auctions · Works of Art · Expertise
Magnolia Arte was born from a passion for art and from the experience gained in study, selection and enhancement of works destined for collecting.
The auction house and gallery operates in the art market with particular attention to antique, modern and contemporary painting, offering carefully selected works for historical-artistic interest, quality and collectible value.
Each work is presented through a path of in-depth study that, where applicable, considers historical and stylistic context, attribution, condition, provenance and bibliographic and comparative references. For works that require it, studies, expertise and diagnostic deepening can also be prepared.
COLLECTING WITH DISCERNMENT
For Magnolia Arte, purchasing a work means entering into a relationship with a unique object, a witness of an era, of a culture and of the artist’s sensibility.
For this reason we accompany the collector not only in the choice, but also in the understanding and valorizations of the work, offering a direct, confidential and professional relationship.
Translated by Google TranslateDetails
Sold with frame
Yes
Sold by
Gallery
Artist
Italian school (XIX)
Title of artwork
Studio di corazze e armature rinascimentali
Technique
Mixed media
Signature
Signed
Country of origin
Italy
Year
1850
Condition
Good condition
Height
31.6 cm
Width
47 cm
Period
19th century
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