Jean Baier (1932-1999) - Sans titre






Held senior specialist role at Finarte for 12 years, specialising in modern prints.
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Jean Baier, Sans titre, 1970, a colour lithograph on vellum, signed and numbered 190/200, edition limited to 200, sheet 29.5 × 42 cm, in very good condition, issued for the Musée cantonal des Beaux-Arts de Lausanne with partner museums, sold by Galerie.
Description from the seller
Jean Baier (1932-1999)
Untitled, 1970
Plate from the portfolio Recherches et Expérimentation, 1970
Color lithograph on vellum
Signed "Baier" in pencil at the lower right, numbered 190/200 in pencil at the lower left
Dimensions :
Sheet: 29.5 × 42 cm (11.6 × 16.5 in)
Condition: Very good condition. Four binder holes on the left edge, as issued. Unframed.
Issued by the Cantonal Museum of Fine Arts of Lausanne, with the Museum of Art and History of Geneva, the Museum of Art and History of Fribourg and the Kunstmuseum of St. Gallen, in 200 numbered copies.
Born in Geneva and first trained as a mechanic, Baier attended in 1951 a lecture by Fernand Léger on architectural polychromy that sealed his vocation. Close to the Zurich concrete art movement in the line of Max Bill, he produced numerous works integrated into architecture in Geneva, Zurich, St. Gallen and Brasilia.
Seller's Story
Jean Baier (1932-1999)
Untitled, 1970
Plate from the portfolio Recherches et Expérimentation, 1970
Color lithograph on vellum
Signed "Baier" in pencil at the lower right, numbered 190/200 in pencil at the lower left
Dimensions :
Sheet: 29.5 × 42 cm (11.6 × 16.5 in)
Condition: Very good condition. Four binder holes on the left edge, as issued. Unframed.
Issued by the Cantonal Museum of Fine Arts of Lausanne, with the Museum of Art and History of Geneva, the Museum of Art and History of Fribourg and the Kunstmuseum of St. Gallen, in 200 numbered copies.
Born in Geneva and first trained as a mechanic, Baier attended in 1951 a lecture by Fernand Léger on architectural polychromy that sealed his vocation. Close to the Zurich concrete art movement in the line of Max Bill, he produced numerous works integrated into architecture in Geneva, Zurich, St. Gallen and Brasilia.
