Gérald Ducimetière (1940-2022) - Sans titre






Held senior specialist role at Finarte for 12 years, specialising in modern prints.
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Gérald Ducimetière, Sans titre, a colour lithography on vellum from 1970, edition limited to 200 copies (190/200), signed and dated, sheet size 29.5 × 42 cm, weight 50 g, origin Switzerland, abstract style, in good condition and sold by Galerie.
Description from the seller
Gérald Ducimetière (1940-2022)
Untitled, 1970
Plate from the portfolio Recherches et Expérimentation, 1970
Color lithograph on vellum
Signed and dated “Ducimetière 70” in pencil at bottom right, numbered 190/200 in pencil at bottom left
Dimensions:
Sheet: 29.5 × 42 cm (11.6 × 16.5 in.)
Condition: Very good. Four binder holes along the left edge, conforming to the edition. Not framed.
Issued by the Cantonal Museum of Fine Arts, Lausanne, with the Museum of Art and History of Geneva, the Museum of Art and History of Fribourg and the Kunstmuseum of St. Gallen, in 200 numbered copies.
Trained in Geneva, Ducimetière held his first solo exhibition at the Musée Rath in 1965. Naturalized as French in 1994, he subsequently worked under the name John Aldus. This plate dates from the years when he moved from painting to installation, photography and film.
Seller's Story
Gérald Ducimetière (1940-2022)
Untitled, 1970
Plate from the portfolio Recherches et Expérimentation, 1970
Color lithograph on vellum
Signed and dated “Ducimetière 70” in pencil at bottom right, numbered 190/200 in pencil at bottom left
Dimensions:
Sheet: 29.5 × 42 cm (11.6 × 16.5 in.)
Condition: Very good. Four binder holes along the left edge, conforming to the edition. Not framed.
Issued by the Cantonal Museum of Fine Arts, Lausanne, with the Museum of Art and History of Geneva, the Museum of Art and History of Fribourg and the Kunstmuseum of St. Gallen, in 200 numbered copies.
Trained in Geneva, Ducimetière held his first solo exhibition at the Musée Rath in 1965. Naturalized as French in 1994, he subsequently worked under the name John Aldus. This plate dates from the years when he moved from painting to installation, photography and film.
