Padelah (1961) - Spring - cod, 100826-13






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Padelah (1961)’s original 2025 painting, “Spring - cod, 100826-13”, is made with acrylic enamel on canvas and sold with a white-lacquered wooden frame.
Description from the seller
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Unique Original Painting with FRAME
Padelah - Atri, Italy, 1961
Unique original work on canvas
Acrylic enamel painting, textured relief
Signed and authenticated by hand on the back
Certificate signed by the Artist
- With a white lacquered wooden frame
PADELAH was born in Atri (TE), Italy, in 1961. She grew artistically in a flourishing environment, in a family of artists and gallery owners. Her life finds expression in colorful compositions inspired by the forms of nature and transformed by the artist into repeated motifs and patterns. An initially abstract pictorial idea that, through color, unfolds into optical compositions. Her vividly colored canvases enchantingly convey the possibility of art as pure poetry, as a waking dream, as the crystallization of a concept of painting that is far removed from everything and, precisely for this reason, so close to life.
Seller's Story
Note: if you purchase multiple works in the same auction, you pay ONLY ONE shipping cost
Unique Original Painting with FRAME
Padelah - Atri, Italy, 1961
Unique original work on canvas
Acrylic enamel painting, textured relief
Signed and authenticated by hand on the back
Certificate signed by the Artist
- With a white lacquered wooden frame
PADELAH was born in Atri (TE), Italy, in 1961. She grew artistically in a flourishing environment, in a family of artists and gallery owners. Her life finds expression in colorful compositions inspired by the forms of nature and transformed by the artist into repeated motifs and patterns. An initially abstract pictorial idea that, through color, unfolds into optical compositions. Her vividly colored canvases enchantingly convey the possibility of art as pure poetry, as a waking dream, as the crystallization of a concept of painting that is far removed from everything and, precisely for this reason, so close to life.
