Guglielmo Achille Cavellini (1914–1990) - Fotografia di un'opera distrutta (1971) – Conceptual – Signed & framed






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Gugliemo Achille Cavellini, Fotografia di un'opera distrutta (1971) – Conceptual, mixed media and collage on boarded cardboard, 59.5 x 42.5 cm, original edition, signed by hand, framed and in very good condition with a natural wooden frame, dating from 1971 and part of the 1970s Arte concettuale period.
Description from the seller
Guglielmo Achille Cavellini (Brescia, 1914 – 1990)
Fotografia di un'opera distrutta poi ingabbiata bruciata e riproposta da g.a. cavellini, 1971
Mixed media and collage on boarded cardboard
Artwork dimensions: 59.5 x 42.5 cm
Framed dimensions: approx. 65 x 48 cm
Signature, dating and autograph inscriptions:
• Front: hand-signed and dated 1971 by the artist at the lower right beneath the conceptual text.
• Back: fully autograph with signature, full title, dating (1971) and measurements.
Historical-critical framing:
A historic work of exceptional conceptual significance created in 1971, the pivotal year in which Guglielmo Achille Cavellini theorized and launched the famous Autostoricizzazione (Self-historicization) cycle.
In this work the artist documents the destruction, burning, and encaging of a previous work (No. 90), assembling the central photographic testimony, the typographic inserts, and the autograph statement on the card.
An emblematic piece of Cavellini's neo-Dadaist and conceptual poetics, a precursor of Mail Art and internationally celebrated for his radical questioning of the contemporary art system.
Condition and framing:
• Condition: very good condition. Cardboard intact, collage solid and the typical warm browning of the support consistent with the early seventies.
• Framing: the work is enclosed within a sober, essential natural wood frame, ready to be exhibited. The frame is included as a protective courtesy.
Shipping and packaging:
Specialist high-protection packaging with double rigid panels and high-density bubble wrap. Fast, tracked, and insured shipping via international express courier.
Seller's Story
Guglielmo Achille Cavellini (Brescia, 1914 – 1990)
Fotografia di un'opera distrutta poi ingabbiata bruciata e riproposta da g.a. cavellini, 1971
Mixed media and collage on boarded cardboard
Artwork dimensions: 59.5 x 42.5 cm
Framed dimensions: approx. 65 x 48 cm
Signature, dating and autograph inscriptions:
• Front: hand-signed and dated 1971 by the artist at the lower right beneath the conceptual text.
• Back: fully autograph with signature, full title, dating (1971) and measurements.
Historical-critical framing:
A historic work of exceptional conceptual significance created in 1971, the pivotal year in which Guglielmo Achille Cavellini theorized and launched the famous Autostoricizzazione (Self-historicization) cycle.
In this work the artist documents the destruction, burning, and encaging of a previous work (No. 90), assembling the central photographic testimony, the typographic inserts, and the autograph statement on the card.
An emblematic piece of Cavellini's neo-Dadaist and conceptual poetics, a precursor of Mail Art and internationally celebrated for his radical questioning of the contemporary art system.
Condition and framing:
• Condition: very good condition. Cardboard intact, collage solid and the typical warm browning of the support consistent with the early seventies.
• Framing: the work is enclosed within a sober, essential natural wood frame, ready to be exhibited. The frame is included as a protective courtesy.
Shipping and packaging:
Specialist high-protection packaging with double rigid panels and high-density bubble wrap. Fast, tracked, and insured shipping via international express courier.
