Padelah (1961) - Spring






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Padelah, Spring is an original 50 × 40 cm acrylic painting on canvas from Italy, signed by hand and accompanied by a certificate signed by the artist, dated 2025 in a contemporary, multicoloured composition (blue, red, green and orange).
Description from the seller
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Padelah - Atri-Italy 1961
Original unique work on canvas
Acrylic enamels crafted to a tactile, textured relief effect
Signed and hand-authenticated on the back
Certificate signed by the Artist
PADELAH was born in Atri-Teramo - Italy in 1961. He grows artistically in a flourishing environment, a family of artists and gallerists. His life spills into the expression of colorful compositions, inspired by the forms of nature and transformed by the artist into repeated motifs and textures. An initially abstract painting idea, which through color expresses itself in optical compositions. Her very colorful canvases enchantingly reveal art as pure poetry, like a waking dream, like a crystallization of a concept of painting, distant from everything and precisely for this reason so close to life.
Seller's Story
Combined shipping; If you buy more than one work in the same auction you pay a SINGLE shipping
Visit also our online auctions platform with open bids on “delauretisart”
Padelah - Atri-Italy 1961
Original unique work on canvas
Acrylic enamels crafted to a tactile, textured relief effect
Signed and hand-authenticated on the back
Certificate signed by the Artist
PADELAH was born in Atri-Teramo - Italy in 1961. He grows artistically in a flourishing environment, a family of artists and gallerists. His life spills into the expression of colorful compositions, inspired by the forms of nature and transformed by the artist into repeated motifs and textures. An initially abstract painting idea, which through color expresses itself in optical compositions. Her very colorful canvases enchantingly reveal art as pure poetry, like a waking dream, like a crystallization of a concept of painting, distant from everything and precisely for this reason so close to life.
