Sanlé Sory (1943–2023) - La musicienne - (Signé à la main et tamponée au dos)






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Sory Sanlé, La musicienne - (Signed by hand and stamped on the back), gelatin silver print, 40 × 30 cm, in Excellent condition, sold by Galerie.
Description from the seller
Sory Sanlé is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Upper Volta.
Ibrahima Sanlé Sory arrived in Bobo-Dioulasso in 1957. Having become a journalist and photographer, he also produced sleeve illustrations for records.
He opened his Volta Photo studio in 1962, at the moment his country gained independence. He bought a Rolleiflex 6×6, and began by taking identity photographs and photographs of road accidents for the local police.
Quickly, he gained notoriety in Bobo-Dioulasso, which was then the cultural and economic capital of the former Upper Volta, where young Africans “hungry for modernity” came “to have their portraits taken.”
Carried out between 1960 and 1985, his photographic work “testifies to the happiness of a regained freedom and to a social and cultural effervescence unique of its kind.”
Exhibitions
2015: Folk Art African?, Fonds régional d’art contemporain de Bordeaux.
2015: Meeting African Photography, Mérignac Media Library.
2018: Retrospective, Art Institute of Chicago.
2020: Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020: Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photograph accompanied by a certificate of authenticity (Galerie Art-Z, Paris), signed by the photographer.
Seller's Story
Sory Sanlé is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Upper Volta.
Ibrahima Sanlé Sory arrived in Bobo-Dioulasso in 1957. Having become a journalist and photographer, he also produced sleeve illustrations for records.
He opened his Volta Photo studio in 1962, at the moment his country gained independence. He bought a Rolleiflex 6×6, and began by taking identity photographs and photographs of road accidents for the local police.
Quickly, he gained notoriety in Bobo-Dioulasso, which was then the cultural and economic capital of the former Upper Volta, where young Africans “hungry for modernity” came “to have their portraits taken.”
Carried out between 1960 and 1985, his photographic work “testifies to the happiness of a regained freedom and to a social and cultural effervescence unique of its kind.”
Exhibitions
2015: Folk Art African?, Fonds régional d’art contemporain de Bordeaux.
2015: Meeting African Photography, Mérignac Media Library.
2018: Retrospective, Art Institute of Chicago.
2020: Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020: Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photograph accompanied by a certificate of authenticity (Galerie Art-Z, Paris), signed by the photographer.
