Riccardo Tommaso Ferroni (1934-2000) - Senza titolo






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Riccardo Tommasi Ferroni, Senza titolo, 1980, oil painting, original edition, 70 × 100 cm, Italy, hand-signed.
Description from the seller
The painting shown in the image is part of the artistic production of Master Riccardo Tommasi Ferroni (Pietrasanta 1934 – Pieve di Camaiore 2000), one of the most important exponents of neo-figurative painting and of Italian learned anachronism in the twentieth century.
Characteristics of the work and the artist's style
• Visionary composition: The work features spectral and enigmatic figures immersed in a dark, theatrical, and smoky atmosphere, typical of Tommasi Ferroni's magical realism and Baroque surrealism.
• Painting technique: There is an extraordinary graphic virtuosity derived from the academic study of Renaissance, Mannerist, and Baroque art, combined with flowing drapery and a dramatic use of chiaroscuro (reminiscent of Caravaggio and the masters of the Seventeenth Century).
• Themes: Frequent in his creations are allegories and cultivated references fused with grotesque or quirky elements drawn from modernity, evoking a strong sense of mystery and decay.
Seller's Story
The painting shown in the image is part of the artistic production of Master Riccardo Tommasi Ferroni (Pietrasanta 1934 – Pieve di Camaiore 2000), one of the most important exponents of neo-figurative painting and of Italian learned anachronism in the twentieth century.
Characteristics of the work and the artist's style
• Visionary composition: The work features spectral and enigmatic figures immersed in a dark, theatrical, and smoky atmosphere, typical of Tommasi Ferroni's magical realism and Baroque surrealism.
• Painting technique: There is an extraordinary graphic virtuosity derived from the academic study of Renaissance, Mannerist, and Baroque art, combined with flowing drapery and a dramatic use of chiaroscuro (reminiscent of Caravaggio and the masters of the Seventeenth Century).
• Themes: Frequent in his creations are allegories and cultivated references fused with grotesque or quirky elements drawn from modernity, evoking a strong sense of mystery and decay.
