Italian school (XIX) - Cristo sulla via del Calvario e l’incontro con la Veronica
04
days
09
hours
22
minutes
10
seconds
Current bid
€ 1
Reserve price not met
Expert
Selected by Giulia Santoro
Specialised in 17th century Old Master paintings and drawings with auction house experience.
Estimate € 1,200 - € 1,500
 | €1 |
|---|
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 143634 reviews
Rated Excellent on Trustpilot.
Oil painting on metal by Italian School from the 19th century, titled Cristo sulla via del Calvario e l’incontro con la Veronica, 1800, 99.3 x 74.7 cm, unsigned, in good condition, sold with frame.
AI-assisted summary
Description from the seller
Italian School of the 19th Century
“Christ on the Way to Calvary and the Encounter with Veronica”
Oil on metal sheet
19th century
Painting: 84 × 60 cm
With frame: 99.3 × 74.7 cm
Description
Interesting devotional painting from a 19th‑century Italian school, executed in oil on a metal support, depicting a episode of the Way of the Cross: Christ’s encounter with Saint Veronica during the ascent to Calvary.
Christ, crowned with thorns and wrapped in a wide white robe, advances under the weight of the great wooden cross. To his right is Saint Veronica, shown holding the veil on which the Redeemer’s face miraculously appears. Behind Christ emerges a third figure, likely a soldier or an escort of the procession toward Golgotha.
The composition is built with particular narrative clarity and a luminous chromatic, dominated by a warm golden background, on which the white of Christ’s robe and the reds, greens and pinks of the garments stand out. Of particular interest are the golden halos, defined by thin dark profiles, and the meticulous rendering of faces, hands and folds.
The deliberately archaizing setting and the frontal arrangement of the figures recall models of Italian sacred painting of Renaissance tradition, reinterpreted according to 19th‑century devotional and historicist taste.
Frame
The work is presented within an elaborately molded wooden frame, of 19th‑century/storicist taste, finished in brown tones with dark inner profiles. The frame shows widespread signs of use, abrasions, small losses of finish and wear along the edges and the most exposed elements, coherent with its age and use.
On the verso one can see the peripheral wooden frame, the support fastening elements and the suspension system.
Condition Report
The work presents overall good conservation condition considering its age and the particular nature of the support.
From the photographic examination there is a widespread fine superficial craquelure, particularly legible in the halos and in more uniform areas, as well as light abrasions, small flaking, and minute losses of the pictorial film, more concentrated near the edges. Some irregularities and superficial markings compatible with the age of the work are present.
The gold areas show physiological cracks and some small localized losses. The back of the metal sheet bears a bruneto- reddish patina/protective layer, with numerous scratches, abrasions, signs of use and areas where the underlying material shows through; along some margins there are superficial oxidation phenomena.
The frame shows abrasions, scratches, wear and small losses of finish.
No macroscopic deformations of the support are evident that would compromise legibility of the work. Any restorations, retouches or prior conservation interventions cannot be determined with certainty from a sole photographic examination and would require direct observation and, if necessary, UV lamp investigation.
Gallery note: work sold with its frame. The metal support and the natural signs of time are an integral part of the piece’s conservation history.
Ideal for collecting and investment
- The frame present is included with the sale of the work as a complimentary addition. Any transport damages related solely to the frame cannot be the subject of refund or dispute.
Photography note: Some images of the work were professionally taken with artificial lighting (studio spotlight) to better highlight the painting’s features, material, color and conservation status. Colors and brightness may therefore vary slightly from viewing the work under natural or ambient lighting.
With a lawful provenance document – Expertise
Professional packing and insured shipping
Seller's Story
Magnolia Arte
Auctions · Works of Art · Expertise
Magnolia Arte was born from a passion for art and from the experience gained in study, selection and enhancement of works destined for collecting.
The auction house and gallery operates in the art market with particular attention to antique, modern and contemporary painting, offering carefully selected works for historical-artistic interest, quality and collectible value.
Each work is presented through a path of in-depth study that, where applicable, considers historical and stylistic context, attribution, condition, provenance and bibliographic and comparative references. For works that require it, studies, expertise and diagnostic deepening can also be prepared.
COLLECTING WITH DISCERNMENT
For Magnolia Arte, purchasing a work means entering into a relationship with a unique object, a witness of an era, of a culture and of the artist’s sensibility.
For this reason we accompany the collector not only in the choice, but also in the understanding and valorizations of the work, offering a direct, confidential and professional relationship.
Translated by Google TranslateItalian School of the 19th Century
“Christ on the Way to Calvary and the Encounter with Veronica”
Oil on metal sheet
19th century
Painting: 84 × 60 cm
With frame: 99.3 × 74.7 cm
Description
Interesting devotional painting from a 19th‑century Italian school, executed in oil on a metal support, depicting a episode of the Way of the Cross: Christ’s encounter with Saint Veronica during the ascent to Calvary.
Christ, crowned with thorns and wrapped in a wide white robe, advances under the weight of the great wooden cross. To his right is Saint Veronica, shown holding the veil on which the Redeemer’s face miraculously appears. Behind Christ emerges a third figure, likely a soldier or an escort of the procession toward Golgotha.
The composition is built with particular narrative clarity and a luminous chromatic, dominated by a warm golden background, on which the white of Christ’s robe and the reds, greens and pinks of the garments stand out. Of particular interest are the golden halos, defined by thin dark profiles, and the meticulous rendering of faces, hands and folds.
The deliberately archaizing setting and the frontal arrangement of the figures recall models of Italian sacred painting of Renaissance tradition, reinterpreted according to 19th‑century devotional and historicist taste.
Frame
The work is presented within an elaborately molded wooden frame, of 19th‑century/storicist taste, finished in brown tones with dark inner profiles. The frame shows widespread signs of use, abrasions, small losses of finish and wear along the edges and the most exposed elements, coherent with its age and use.
On the verso one can see the peripheral wooden frame, the support fastening elements and the suspension system.
Condition Report
The work presents overall good conservation condition considering its age and the particular nature of the support.
From the photographic examination there is a widespread fine superficial craquelure, particularly legible in the halos and in more uniform areas, as well as light abrasions, small flaking, and minute losses of the pictorial film, more concentrated near the edges. Some irregularities and superficial markings compatible with the age of the work are present.
The gold areas show physiological cracks and some small localized losses. The back of the metal sheet bears a bruneto- reddish patina/protective layer, with numerous scratches, abrasions, signs of use and areas where the underlying material shows through; along some margins there are superficial oxidation phenomena.
The frame shows abrasions, scratches, wear and small losses of finish.
No macroscopic deformations of the support are evident that would compromise legibility of the work. Any restorations, retouches or prior conservation interventions cannot be determined with certainty from a sole photographic examination and would require direct observation and, if necessary, UV lamp investigation.
Gallery note: work sold with its frame. The metal support and the natural signs of time are an integral part of the piece’s conservation history.
Ideal for collecting and investment
- The frame present is included with the sale of the work as a complimentary addition. Any transport damages related solely to the frame cannot be the subject of refund or dispute.
Photography note: Some images of the work were professionally taken with artificial lighting (studio spotlight) to better highlight the painting’s features, material, color and conservation status. Colors and brightness may therefore vary slightly from viewing the work under natural or ambient lighting.
With a lawful provenance document – Expertise
Professional packing and insured shipping
Seller's Story
Magnolia Arte
Auctions · Works of Art · Expertise
Magnolia Arte was born from a passion for art and from the experience gained in study, selection and enhancement of works destined for collecting.
The auction house and gallery operates in the art market with particular attention to antique, modern and contemporary painting, offering carefully selected works for historical-artistic interest, quality and collectible value.
Each work is presented through a path of in-depth study that, where applicable, considers historical and stylistic context, attribution, condition, provenance and bibliographic and comparative references. For works that require it, studies, expertise and diagnostic deepening can also be prepared.
COLLECTING WITH DISCERNMENT
For Magnolia Arte, purchasing a work means entering into a relationship with a unique object, a witness of an era, of a culture and of the artist’s sensibility.
For this reason we accompany the collector not only in the choice, but also in the understanding and valorizations of the work, offering a direct, confidential and professional relationship.
Translated by Google TranslateDetails
Sold with frame
Yes
Sold by
Gallery
Artist
Italian school (XIX)
Title of artwork
Cristo sulla via del Calvario e l’incontro con la Veronica
Technique
Oil painting
Signature
Not signed
Country of origin
Italy
Year
1800
Condition
Good condition
Height
99.3 cm
Width
74.7 cm
Period
19th century
Sold by
